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Widening the Frame with Visual Psychological Anthropology

Part of the Culture, Mind, and Society Book Series

DOI: 10.1007/978-3-030-79883-3

ISBN: 978-3-030-79882-6

Publisher: Springer International Publishing - Springer Journals

Oct 29, 2021

1 - 10 of 10 Chapters

Available

Filming Trauma, Gendered Violence, and Stigmatization

Lemelson, Robert; Tucker, Annie

Pages: 3 –44

[The origin stories of three ethnographic films made in Indonesia – 40 Years of Silence, Bitter Honey, and Standing on the Edge of a Thorn – reveal key concerns for the visual psychological anthropology (VPA) of trauma, gendered violence, and stigma. By incorporating theoretical and...
Available

40 Years of Silence: Generational Effects of Political Violence and Childhood Trauma in Indonesia

Wardaya, Baskara T.; Lemelson, Robert; Tucker, Annie

Pages: 47 –92

[The ethnographic film 40 Years of Silence: An Indonesian Tragedy investigates the generational effects of political violence and childhood trauma experienced during the Indonesian mass killings and anti-communist purge of 1965 during the transition to Suharto’s New Order rule. The lived...
Available

Bitter Honey: Culture, Polygamy, and Gendered Violence in Bali

Lemelson, Robert; Tucker, Annie

Pages: 93 –135

[Through an experience-near portrait of polygamy across three families and multiple generations, ethnographic film Bitter Honey applies visual psychological anthropology methods to highlight cultural influences on subjective experiences of gendered violence. The multimodal approach illuminates...
Available

Standing on the Edge of a Thorn: Stigmatization, Social Violence, and Sex Work in Central Java

Lemelson, Robert; Tucker, Annie

Pages: 137 –175

[The ethnographic film Standing on the Edge of a Thorn, which focuses on a central Javanese family, applies visual psychological anthropology methods to investigate ecological, cultural, and familial contexts for stigmatization and social violence. Over ten years in the making, the film explores...
Available

Trauma, Gendered Violence, and Stigmatization: Tracing Themes Throughout the Three Films

Lemelson, Robert; Tucker, Annie

Pages: 179 –215

[An integrative analysis of three ethnographic films – 40 Years of Silence, Bitter Honey, and Standing on the Edge of a Thorn – theorizes connections between trauma, gendered violence, and stigmatization in Indonesian history, politics, and culture. The experience and embodiment of traumatic...
Available

Additional Psychocultural Themes

Lemelson, Robert; Tucker, Annie

Pages: 217 –266

[Participants in the three ethnographic films 40 Years of Silence, Bitter Honey, and Standing on the Edge of a Thorn have different experiences of trauma, gendered violence, and stigmatization, yet their responses exhibit shared psychocultural themes. Reactions of shame (malu) and anger (marah)...
Available

Visual Psychological Anthropology in the Field

Lemelson, Robert; Tucker, Annie

Pages: 269 –311

[Field production of three ethnographic films 40 Years of Silence: An Indonesian Tragedy, Bitter Honey, and Standing on the Edge of a Thorn used longitudinal, person-centered interviews, a critical aspect of visual psychological anthropology (VPA) methodology. Culture plays an essential role in...
Available

Crafting Stories Using a VPA Approach

Lemelson, Robert; Tucker, Annie

Pages: 313 –349

[In editing ethnographic film, a visual psychological anthropology (VPA) approach calls for the theorized yet inductive process of narrative development, the necessary artifice of narrative shape, and an emphasis on participant emotional experience and viewer emotional response, despite the risks...
Available

Ethical Issues in Visual Psychological Anthropology

Lemelson, Robert; Tucker, Annie

Pages: 351 –398

[Ethical considerations are central to visual psychological anthropology (VPA), especially for work on trauma, gendered violence, and stigma, such as the three ethnographic films 40 Years of Silence, Bitter Honey, and Standing on the Edge of a Thorn. Representing the forces impinging upon our...
Available

Epilogue

Lemelson, Robert; Tucker, Annie

Pages: 399 –405

[As we were making these three films, we had different anthropological issues we wanted to investigate for each, and different goals for what we wanted to express. At the same time, we were exploring the lives of our participants and the forces that acted on them and through them.]

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