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Sonic Interactions in Virtual Environments

Part of the Human–Computer Interaction Series Book Series

Editors: Geronazzo, Michele; Serafin, Stefania

DOI: 10.1007/978-3-031-04021-4

ISBN: 978-3-031-04020-7

Publisher: Springer International Publishing - Springer Journals

Oct 14, 2022

1 - 10 of 13 Chapters

Available

Sonic Interactions in Virtual Environments: The Egocentric Audio Perspective of the Digital Twin

Geronazzo, Michele; Serafin, Stefania

Pages: 3 –45

[The relationships between the listener, physical world, and virtual environment (VE) should not only inspire the design of natural multimodal interfaces but should be discovered to make sense of the mediating action of VR technologies. This chapter aims to transform an archipelago of studies...
Available

Procedural Modeling of Interactive Sound Sources in Virtual Reality

Avanzini, Federico

Pages: 49 –76

[This chapter addresses the first building block of sonic interactions in virtual environments, i.e., the modeling and synthesis of sound sources. Our main focus is on procedural approaches, which strive to gain recognition in commercial applications and in the overall sound design workflow,...
Available

Interactive and Immersive Auralization

Raghuvanshi, Nikunj; Gamper, Hannes

Pages: 77 –113

[Real-time auralization is essential in virtual reality (VR), gaming, and architecture to enable an immersive audio-visual experience. The audio rendering must be congruent with visual feedback and respond with minimal delay to interactive events and user motion. The wave nature of sound poses...
Available

System-to-User and User-to-System Adaptations in Binaural Audio

Picinali, Lorenzo; Katz, Brian F. G.

Pages: 115 –143

[This chapter concerns concepts of adaption in a binaural audio context (i.e. headphone-based three-dimensional audio rendering and associated spatial hearing aspects), considering first the adaptation of the rendering system to the acoustic and perceptual properties of the user, and second the...
Available

Audio Quality Assessment for Virtual Reality

Brinkmann, Fabian; Weinzierl, Stefan

Pages: 145 –178

[A variety of methods for audio quality evaluation are available ranging from classic psychoacoustic methods like alternative forced-choice tests to more recent approaches such as quality taxonomies and plausibility. This chapter introduces methods that are deemed to be relevant for audio...
Available

Spatial Design Considerations for Interactive Audio in Virtual Reality

Deacon, Thomas; Barthet, Mathieu

Pages: 181 –217

[Space is a fundamental feature of virtual reality (VR) systems, and more generally, human experience. Space is a place where we can produce and transform ideas and act to create meaning. It is also an information container. When working with sound and space interactions, making VR systems...
Available

Embodied and Sonic Interactions in Virtual Environments: Tactics and Exemplars

Olsen, Sophus Béneé; Høeg, Emil Rosenlund; Erkut, Cumhur

Pages: 219 –235

[As the next generation of active video games (AVG) and virtual reality (VR) systems enter people’s lives, designers may wrongly aim for an experience decoupled from bodies. However, both AVG and VR clearly afford opportunities to bring experiences, technologies, and users’ physical and...
Available

Supporting Sonic Interaction in Creative, Shared Virtual Environments

Men, Liang; Bryan-Kinns, Nick

Pages: 237 –267

[This chapter examines user experience design for collaborative music making in shared virtual environments (SVEs). Whilst SVEs have been extensively researched for many application domains including education, entertainment, work and training, there is limited research on the creative aspects....
Available

Spatial Audio Mixing in Virtual Reality

Riddershom Bargum, Anders; Ingi Kristjánsson, Oddur; Babó, Péter; Eske Waage Nielsen, Rasmus; Rostami Mosen, Simon; Serafin, Stefania

Pages: 269 –302

[The development of Virtual Reality (VR) systems and multimodal simulationsMulti-modal simulations presents possibilities in spatial-music mixing, be it in virtual spaces, for ensembles and orchestral compositions or for surround sound in film and music. Traditionally, user interfaces for mixing...
Available

Audio in Multisensory Interactions: From Experiments to Experiences

Serafin, Stefania

Pages: 305 –318

[In the real and virtual world, we usually experience sounds in combination with at least an additional modality, such as vision, touch or proprioception. Understanding how sound enhances, substitutes or modifies the way we perceive and interact with the world is an important element when...

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