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Polyrhythmicity in Language, Music and Society

Part of the Cultural Studies and Transdisciplinarity in Education Book Series (volume 12)

DOI: 10.1007/978-981-16-0566-6

ISBN: 978-981-16-0565-9

Publisher: Springer Singapore - Springer Journals

Jun 15, 2021

1 - 10 of 12 Chapters

Available

Introduction

Andrews, Richard

Pages: 1 –15

[Rhythm is an under-represented field of operation and analysis in music, language and literature; and that although it is difficult to articulate, it needs to be brought to the surface so that the appreciation and understanding of the arts can be enhanced. Furthermore, an understanding of the...
Available

The Nature of Multiple Rhythms and Polyrhythms

Andrews, Richard

Pages: 17 –29

[Most rhythms are conceived of as singular and regular, driven by a recognizable beat. The present book suggests that such a perception of rhythm is over-simplistic and is framed by an over-dependence on metricality or clock time. Generally, we do not see, nor are we attuned to, relative rhythmic...
Available

Polyrhythmicity in Time: An International Perspective

Andrews, Richard

Pages: 31 –42

[Throughout the book, the focus is on international examples. First, the Western concept of time is discussed and compared to other models that are not based on a past-present-future linear principle. Second, conceptions of time relations in the East are explored. Once the range of models of time...
Available

Polyrhythmicity in Music

Andrews, Richard

Pages: 43 –54

[This chapter will set the ground for a study of polyrhythmicity with analysis of examples of multiple rhythms in the music of the Asia-Pacific region, Africa (traditional and contemporary) and India, Latin American jazz/soul/rock and Western classical music. In particular, the emphasis on...
Available

Polyrhythmicity in Conversation and Speech Prosodies

Andrews, Richard

Pages: 55 –68

[There is a considerable body of work on speech prosody. This chapter reviews that research and also addresses the more dialogic nature of conversational speech rhythms and turn-taking. Rhythms in speech, poetry and vocal music are examined, with reference (as in Chap. 4) to African speech, music...
Available

Polyrhythmicity in Poetry

Andrews, Richard

Pages: 69 –88

[Whereas A Prosody of Free Verse broke new ground in understanding the rhythmic patterning in free verse, Polyrhythmicity explores how multiple rhythms work in poetry. Most conventionally, a poet will take a formal verse form with a regular metrical pattern, and both conform to the pattern as...
Available

Polyrhythmicity in the Novel

Andrews, Richard

Pages: 89 –101

[Studies of time in the novel led to a burgeoning of narrative theory in the 1970s and 1980s. The principal drive of those studies was to reveal archetypal narrative patterns (starting with folk tales but applied to larger and more complex narratives in the novel) both in terms of the...
Available

Polyrhythmicity in Social Situations

Andrews, Richard

Pages: 103 –113

[The principal theory drawn upon in this chapter is framing, deriving first from Bateson’s A Theory of Play and Fantasy: steps to an ecology of mind (1954) but gaining most traction through Goffman’s Frame Analysis (1974). Since then, framing as a rhetorical device (in contemporary rhetoric) or...
Available

Polyrhythmicity in Contemporary Hybrid Culture

Andrews, Richard

Pages: 115 –126

[How does polyrhythmicity operate in contemporary culture beyond music and literature? This chapter looks at photography, film and other forms of moving image that operate in time and therefore manage time. These cultural forms both reflect and are placed within a larger social context of how...
Available

Polyrhythmicity in the Asia-Pacific Region

Andrews, Richard

Pages: 127 –138

[This chapter brings together consideration of multi-levelled rhythmic patterning in the arts and social sciences in contemporary culture, focusing specifically on the Asia-Pacific region. The social science dimension will inhere in the use of framing theories to examine specific situations in...

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