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Palgrave Advances in Byron Studies

Part of the Palgrave Advances Book Series

Editors: Stabler, Jane

DOI: 10.1057/9780230206106

ISBN: 978-1-4039-4593-8

Publisher: Palgrave Macmillan UK - Springer Journals

Sep 25, 2015

1 - 10 of 13 Chapters

Available

Introduction Reading Byron Now

Stabler, Jane

Pages: 1 –15

[In 1944 when the scholar Truman Guy Steffan began looking, there was no catalogue of Byron manuscripts. Steffan hunted them down piece by piece and began the process of transcription. The prevailing image of Byron in the mid-1920s was of a rapid and careless composer: Byron had not fared well in...
Available

Byron and the Choreography of Queer Desire

Bruhm, Steven

Pages: 16 –33

[In the Preface to Cantos I and II of Don Juan, Byron invents a complex and parodic narrative structure through which he asks his readers to visualize the story he is about to tell. The Preface opens with a slap at Wordsworth’s ‘unintelligible’ note to his equally unintelligible poem ‘The Thorn’,...
Available

Byron and the Politics of Editing

Cochran, Peter

Pages: 34 –59

[A writer as important as Byron should have had more honour done to his manuscripts by editors than has been the case. Two invaluable series — Manuscripts of the Younger Romantics and Shelley and his Circle — have put many of the manuscripts in the public domain; but the amount of attention paid...
Available

Byron and Digression

Curtis, Paul M.

Pages: 60 –80

[We begin with Byron’s unconventional rhymes in this digressive stanza from Don Juan’s concluding sequence known as the English Cantos. Byron’s ‘irregularity of chime’ (XV, 20, 6) draws our attention to two principal themes of the work: directly, to the speaker’s acute consciousness of himself...
Available

Byron and History

Franklin, Caroline

Pages: 81 –105

[‘On the day when it shall become accepted as a canon of criticism that the political work and the political opinions of a poet are to weigh nothing in the balance which suspends his reputation — on that day the best part of the fame of Byron will fly up and vanish into air’ (Swinburne 1884...
Available

Byron and Post-Colonial Criticism: The Eastern Tales

Kitson, Peter J.

Pages: 106 –129

[In recent years Romantic period studies have been transformed by the application of critical approaches deriving from post-colonial critical perspectives to the writing of the late eighteenth and early nineteenth centuries. What we describe as the Romantic Movement coincided with the beginnings...
Available

Byron and Twentieth-Century Popular Culture

McDayter, Ghislaine

Pages: 130 –154

[In Calvert’s bizarre but by no means unprecedented description of the younger generation of Romantic poets, we are encouraged to approach Byron’s corpus, unlike the ethereal bodies of his contemporaries, as we would a geological site: Byron’s poetry is a physical residue of his presence that has...
Available

Byron’s Manfred and Ecocriticism

Morton, Timothy

Pages: 155 –170

[It sounds perverse to read Byron as an ecological writer, at least in the terms prescribed by our common perception of him as the ultimate poet of existential irony. As Esther Hibbard put it, almost forty years ago, ‘modern criticism has shown that [Byron] … rebelled against the romantic concept...
Available

Byron and Psychoanalytic Criticism: Werner

Kao, Pamela; Punter, David

Pages: 171 –190

[T.H. Vail Motter begins his 1935 study ‘Byron’s Werner Re-estimated’, which remains the longest and arguably the most important monograph on Werner to date, with two extraordinary points about Byron’s least reputed complete play: firstly, it has the longest stage life among Byron’s plays, which...
Available

Byron in Theory and Theatre Land: Finding the Right Address

Simpson, Michael

Pages: 191 –212

[Would you please ensure your mobile phone is switched off? Any articulated, industrialized spectacle, whether it be a wedding, an academic conference, or a performance at Drury Lane in the early 1800s, requires certain moments of visible orchestration to effect transitions between its parts....

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