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Tracing War in British Enlightenment and Romantic Culture

Part of the Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print Book Series

Editors: Ramsey, Neil; Russell, Gillian

DOI: 10.1057/9781137474315

ISBN: 978-1-349-57926-6

Publisher: Palgrave Macmillan UK - Springer Journals

Jan 16, 2016

1 - 10 of 11 Chapters

Available

Introduction: Tracing War in Enlightenment and Romantic Culture

Ramsey, Neil; Russell, Gillian

Pages: 1 –15

[The study of Romantic literature and culture, long concerned with the response to the French Revolution, has more recently begun to appreciate the significance of war. Drawing on this research and featuring many who have contributed to this field, the essays in this volume engage the pervasive...
Available

Shandeism and the Shame of War

Lamb, Jonathan

Pages: 16 –36

[It is soon clear to anyone reading Tristram Shandy that its wild experiments with writing fiction spring from the impossible challenge of framing a story that lacks the three articles necessary for an intelligible sequence of actions: namely, a coherent space in which they are seen to occur; an...
Available

Invalid Elegy and Gothic Pageantry: André, Seward and the Loss of the American War

O’Quinn, Daniel

Pages: 37 –60

[In the Table Talk, Coleridge states that ‘Elegy is the natural poetry of the reflective mind; it may treat of any subject but it must treat no subject for itself, but always and exclusively with reference to the poet himself. As he will feel regret for the Past or desire for the Future, so...
Available

Victims of War: Battlefield Casualties and Literary Sensibility

White, R. S.

Pages: 61 –76

[After the Battle of Waterloo, the London printseller Edward Orme produced a number of engravings for a public eager to purchase representations of Wellington’s victory. A particularly revealing one is Waterloo, the Day After, engraved by Matthew Dubourg from an aquatint by John Heaviside Clark,...
Available

The Cultural Afterlives of Toussaint Louverture and the Haitian Revolution

Coleman, Deirdre

Pages: 77 –95

[In his Historical Account of the Black Empire of Hayti (1805), Marcus Rainsford, a British captain in the Third West India Regiment, described Saint-Domingue as ‘France’s most splendid possession’, astonishing the traveller with its ‘private luxury, and its public grandeur’.1 The richest and...
Available

Romantic Militarisation: Sociability, Theatricality and Military Science in the Woolwich Rotunda, 1814–2013

Russell, Gillian

Pages: 96 –112

[In a critique of the current state of scholarship on war across a range of disciplines, sociologists Tarak Barkawi and Shane Brighton identify ‘war’s recalcitrance as an object of knowledge’ which, they claim, has led to a lack of ‘shared ontological problematics’ that might ground the study of...
Available

Exhibiting Discipline: Military Science and the Naval and Military Library and Museum

Ramsey, Neil

Pages: 113 –131

[On 16th December 1829, Commander Henry Downes of the Royal Navy hosted a meeting at his apartments in Regent St, London, to consider the formation of the first museum dedicated to the British navy and military.1 Among those present were some of the most erudite and cultured figures associated...
Available

Battling Bonaparte after Waterloo: Re-enactment, Representation and ‘The Napoleon Bust Business’

Bainbridge, Simon

Pages: 132 –150

[In his Collège de France lectures of 1975–6, translated and published in Great Britain in 2003 as Society Must be Defended, Michel Foucault examines what he sees as the continuation of war in peacetime society, inverting Carl von Clausewitz’s famous dictum that ‘War is the continuation of...
Available

Turner’s Desert Storm

Shaw, Philip

Pages: 151 –170

[In the late 1790s and early 1800s J. M. W. Turner was engaged in the production of a series of paintings focusing on biblical themes. Five of these paintings, The Fifth Plague of Egypt (1800), The Tenth Plague of Egypt (1802), The Holy Family (1803), The Deluge (1805), and The Destruction of...
Available

Narrative and Atmosphere: War by Other Media in Wilkie, Clausewitz and Turner

Ford, Thomas H.

Pages: 171 –187

[David Wilkie’s painting Chelsea Pensioners Receiving the London Gazette Extraordinary of Thursday, June 22d, 1815, Announcing the Battle of Waterloo!!! was the hit of the Royal Academy’s Exhibition of 1822 — the most viewed and celebrated painting of the year (see Illustration 9.1). Contemporary...

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