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This article explores a highly striking phenomenon termed metalepsis. A metalepsis is a fictional and paradoxical transgression of the border between mutually exclusive worlds that cannot be transgressed in our actual world. The hand of the animator reaching into the diegesis of his creations as...
The formal similarities between comic strips and film have often sparked a contentious debate about aesthetic intersections between the two mediums as well as discussions of influence. Comic historian David Kunzle, drawing from the work of Francis Lacassin, has described how characteristics of...
This article explores The Boondocks and its transition from daily newspaper strip to animated series. The article is particularly concerned with the ways in which the animated series exceeds the expectations set up by the printed comic strip and emerges as a complex, highly inter-textual work...
Lewis Carroll’s Alice’s Adventures in Wonderland (1865) and Through the Looking-Glass (1871) have inspired various Disney texts, including the studio’s Alice comedies of 1923—27, the films that essentially brought the company into being. This early series helped shape Disney’s development of a...
With the release of The Princess and the Frog (Ron Clements and John Musker, 2009) the phrase ‘Classic Disney’ has re-entered popular discussion. Unfortunately, the concept of ‘Classic Disney’ has evolved in recent years, developing from a seemingly straightforward term featured in numerous...
Drawing is a key component of ‘traditional’ practice in classical animation that is sometimes seen as an outmoded form lacking relevance to a digital age. On the contrary, the use of digital tools and virtual materials can still be seen as problematic by some animators schooled in traditional...
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