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Aspects of the Sublime in Philosophical Aesthetics

Aspects of the Sublime in Philosophical Aesthetics The intention of the present study is to bring the sublime back into the light in contemporary philosophical debates, in order to present its significance both for aesthetics and in the field of art in particular, as well as for the sphere of cultural creation in general. In this sense, in the first part of the study we shall emphasize the specificity of the sublime as a fundamental aesthetic category located in the proximity of the beauty, revealing both the similarities and the differences between them. In the second part of the study, we will discuss several hypotheses of the sublime in philosophical aesthetics, having as a theoretical benchmark, in this sense, the ideas of Kant, Schiller, Schopenhauer, Nietzsche and Hartmann, with the aim of shedding light on the necessity of the presence of the sublime in the sphere of human values and cultural creation. sublime; beauty; aesthetic category; ethics; Kant; Schiller http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Romanian Journal of Artistic Creativity Addleton Academic Publishers

Aspects of the Sublime in Philosophical Aesthetics

Romanian Journal of Artistic Creativity , Volume 10 (4): 18 – Jan 1, 2022

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Publisher
Addleton Academic Publishers
Copyright
© 2009 Addleton Academic Publishers
ISSN
2327-5707
eISSN
2473-6562
Publisher site
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Abstract

The intention of the present study is to bring the sublime back into the light in contemporary philosophical debates, in order to present its significance both for aesthetics and in the field of art in particular, as well as for the sphere of cultural creation in general. In this sense, in the first part of the study we shall emphasize the specificity of the sublime as a fundamental aesthetic category located in the proximity of the beauty, revealing both the similarities and the differences between them. In the second part of the study, we will discuss several hypotheses of the sublime in philosophical aesthetics, having as a theoretical benchmark, in this sense, the ideas of Kant, Schiller, Schopenhauer, Nietzsche and Hartmann, with the aim of shedding light on the necessity of the presence of the sublime in the sphere of human values and cultural creation. sublime; beauty; aesthetic category; ethics; Kant; Schiller

Journal

Romanian Journal of Artistic CreativityAddleton Academic Publishers

Published: Jan 1, 2022

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