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Creativity, environment and value: spiritual aesthetics in Sri Aurobindo’s Savitri

Creativity, environment and value: spiritual aesthetics in Sri Aurobindo’s Savitri Starting from the common agreement established in Aurobindo studies that The Life Divine (1914–1919; book form: 1939–1940) was Sri Aurobindo’s (1872–1950) philosophical exploration of his ideals, while Savitri (manuscript form: 1916; separate cantos: 1946; book form: 1950–1951) was the poetic realization of that philosophical journey, I explore in the following paper, from an ecocritical and eco-aesthetic perspective, the relation between nature and human nature as implied in Savitri. I use in this sense Murphy’s (1998) tripartite understanding of the structure of space, as “geographic,” “historical” and “geo-psychic” location, and show that Indian thought in general is engaged more in a quest for connections, than for what separates. Indian thought is thus fundamentally based on the understanding that the core of being is sacred, man himself being imbued in it. I argue that Savitri is to be understood as having emerged, in a direct line of influence and descent, from Vedic and Upanishadic thought, with Nature used as a metaphor for the esoteric possibility of transformation from the lowest material (Aurobindo’s inconscient) to the highest spiritual (Aurobindo’s superconscient) level of existence. The poem as a whole is in fact an exploration of human and non-human nature. The transformative process of deification is thus to be resolved only through the aesthetic dimension, hence what I call Aurobindo’s spiritual aesthetics. Key words Vedas; Upanishads; Nature; inconscient; superconscient; spiritual aesthetics http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Creativity Addleton Academic Publishers

Creativity, environment and value: spiritual aesthetics in Sri Aurobindo’s Savitri

MURALI SHIVARAMAKRISHNAN
Creativity , Volume 2 (1): 29 – Jan 1, 2019
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Publisher
Addleton Academic Publishers
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© 2009 Addleton Academic Publishers
ISSN
2639-5614
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2639-5614
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Abstract

Starting from the common agreement established in Aurobindo studies that The Life Divine (1914–1919; book form: 1939–1940) was Sri Aurobindo’s (1872–1950) philosophical exploration of his ideals, while Savitri (manuscript form: 1916; separate cantos: 1946; book form: 1950–1951) was the poetic realization of that philosophical journey, I explore in the following paper, from an ecocritical and eco-aesthetic perspective, the relation between nature and human nature as implied in Savitri. I use in this sense Murphy’s (1998) tripartite understanding of the structure of space, as “geographic,” “historical” and “geo-psychic” location, and show that Indian thought in general is engaged more in a quest for connections, than for what separates. Indian thought is thus fundamentally based on the understanding that the core of being is sacred, man himself being imbued in it. I argue that Savitri is to be understood as having emerged, in a direct line of influence and descent, from Vedic and Upanishadic thought, with Nature used as a metaphor for the esoteric possibility of transformation from the lowest material (Aurobindo’s inconscient) to the highest spiritual (Aurobindo’s superconscient) level of existence. The poem as a whole is in fact an exploration of human and non-human nature. The transformative process of deification is thus to be resolved only through the aesthetic dimension, hence what I call Aurobindo’s spiritual aesthetics. Key words Vedas; Upanishads; Nature; inconscient; superconscient; spiritual aesthetics

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Creativity – Addleton Academic Publishers

Published: Jan 1, 2019

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