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Ecological suicide as subtextual plotline

Ecological suicide as subtextual plotline “The Matrix” trilogy and “Avatar” resort to the intricacies of postmodern utopianism to render two hypostases of mankind. However different in their respective approach, one having a technological dystopia as the basis of its narrative structure, and the other constructing an image of ecological utopia, the two cinematic works both lean, conceptually, on the idea of ecological suicide. The following is an analysis of the utopian build of each one, stressing upon their individual plot development and the complex interplay between humanity, nature and technology. Keywords: ecological suicide; postmodern utopia; plot development; utopian build; artificial reality http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Romanian Journal of Artistic Creativity Addleton Academic Publishers

Ecological suicide as subtextual plotline

Romanian Journal of Artistic Creativity , Volume 3 (4): 6 – Jan 1, 2015

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Publisher
Addleton Academic Publishers
Copyright
© 2009 Addleton Academic Publishers
ISSN
2327-5707
eISSN
2473-6562
Publisher site
See Article on Publisher Site

Abstract

“The Matrix” trilogy and “Avatar” resort to the intricacies of postmodern utopianism to render two hypostases of mankind. However different in their respective approach, one having a technological dystopia as the basis of its narrative structure, and the other constructing an image of ecological utopia, the two cinematic works both lean, conceptually, on the idea of ecological suicide. The following is an analysis of the utopian build of each one, stressing upon their individual plot development and the complex interplay between humanity, nature and technology. Keywords: ecological suicide; postmodern utopia; plot development; utopian build; artificial reality

Journal

Romanian Journal of Artistic CreativityAddleton Academic Publishers

Published: Jan 1, 2015

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