Access the full text.
Sign up today, get DeepDyve free for 14 days.
References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.
Contemporary Indigenous feminist alternative knowledge producers have only recently begun to articulate and insinuate their worldview onto the international intellectual stage. More adroitly than their predecessors, they strategically implement aspects of the rhetorical genres, and skillfully “erect rhetorical discourse” in order to eloquently convey their epistemology and advance a pressing political, cultural and social agenda of change. Providing a counter-hegemonic alternative perspective, their interrogation of identity uniformly takes into account ethnicity and gender issues while critiquing the failed modernist project. Bakhtin’s chapter “Discourse in the Novel” (1981) is an elaborate dissection of language and the panoramic functions of various modes of discourse, including the rhetorical form. This paper undertakes an analysis and partial explanation of the emerging influence and content of this contemporary Indigenous feminist writing, based on the concepts outlined by Bakhtin about heteroglossia, language and discourse. Keywords: heteroglossia; indigenous feminism; rhetorical genres
Knowledge Cultures – Addleton Academic Publishers
Published: Jan 1, 2015
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.