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The Journey from the Underground to the Heavens: Michael Ondaatje’s In the Skin of a Lion

The Journey from the Underground to the Heavens: Michael Ondaatje’s In the Skin of a Lion This paper proposes to explore Toronto’s cultural heritage through an analysis of Michael Ondaatje’s In the Skin of a Lion. Through various narrative perspectives, we assist, in this novel, at the construction of the city and of various immigrant identities. The city’s memory is deeply entrenched in its constructions, in the blood and mud that make up urban buildings. In Ondaatje’s world narrating the beginnings of the city, people and politics are imbricated in an image attempting to allow the effort of various characters to preserve traces of authenticity. We will look at how the politics of memory shapes the identities of several characters, at the necessity of remembering and at the passivity of forgetting. Some of the questions of this presentation are: How does memory influence the shaping of immigrant identities? In what ways is the creation of the city related to the destinies of individuals? How does Ondaatje narrativize the politics of memory and cultural heritage in his book? Michael Ondaatje; memory; scaffolding; identity; Canada; history http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Romanian Journal of Artistic Creativity Addleton Academic Publishers

The Journey from the Underground to the Heavens: Michael Ondaatje’s In the Skin of a Lion

Romanian Journal of Artistic Creativity , Volume 8 (2): 14 – Jan 1, 2020

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Publisher
Addleton Academic Publishers
Copyright
© 2009 Addleton Academic Publishers
ISSN
2327-5707
eISSN
2473-6562
Publisher site
See Article on Publisher Site

Abstract

This paper proposes to explore Toronto’s cultural heritage through an analysis of Michael Ondaatje’s In the Skin of a Lion. Through various narrative perspectives, we assist, in this novel, at the construction of the city and of various immigrant identities. The city’s memory is deeply entrenched in its constructions, in the blood and mud that make up urban buildings. In Ondaatje’s world narrating the beginnings of the city, people and politics are imbricated in an image attempting to allow the effort of various characters to preserve traces of authenticity. We will look at how the politics of memory shapes the identities of several characters, at the necessity of remembering and at the passivity of forgetting. Some of the questions of this presentation are: How does memory influence the shaping of immigrant identities? In what ways is the creation of the city related to the destinies of individuals? How does Ondaatje narrativize the politics of memory and cultural heritage in his book? Michael Ondaatje; memory; scaffolding; identity; Canada; history

Journal

Romanian Journal of Artistic CreativityAddleton Academic Publishers

Published: Jan 1, 2020

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