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THE MORAL STATUS OF THE TELEVISION IMAGE

THE MORAL STATUS OF THE TELEVISION IMAGE The objective of this paper is to emphasize the importance of news use, information processing and cognitive complexity; television narration and visual form: audience processing of television news, understanding the effect of television news, and the unbundling and mobilization of television’s segmental units; and television’s commitment to realism: the increasing homogenisation of news content, evaluating the performance of the news media, and the increasing diversification of the multimedia environment. Keywords: news, television, content, performance, process, cognitive http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Contemporary Readings in Law and Social Justice Addleton Academic Publishers

THE MORAL STATUS OF THE TELEVISION IMAGE

Contemporary Readings in Law and Social Justice , Volume 2 (1): 136-145 – Jan 1, 2010

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Publisher
Addleton Academic Publishers
Copyright
© 2009 Addleton Academic Publishers
ISSN
1948-9137
eISSN
2162-2752
Publisher site
See Article on Publisher Site

Abstract

The objective of this paper is to emphasize the importance of news use, information processing and cognitive complexity; television narration and visual form: audience processing of television news, understanding the effect of television news, and the unbundling and mobilization of television’s segmental units; and television’s commitment to realism: the increasing homogenisation of news content, evaluating the performance of the news media, and the increasing diversification of the multimedia environment. Keywords: news, television, content, performance, process, cognitive

Journal

Contemporary Readings in Law and Social JusticeAddleton Academic Publishers

Published: Jan 1, 2010

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