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Working for the gods: feasting and sacrifice at Saijo Matsuri

Working for the gods: feasting and sacrifice at Saijo Matsuri Modeled after the famous Gion Matsuri, Saijo Matsuri only boasts 300 years of history, yet pride in the local festival is high and those born in Saijo will return there from all corners of Japan in order to take part or simply enjoy three days of revelry in the company of the descending gods. Centered around Isono Shrine (a place of worship dedicated to the goddess Amaterasu), Saijo Matsuri involves more than eighty exquisitely decorated parade floats that are almost continuously carried around the city for two days and two nights. The present paper focuses on the human sacrifice aspect apparent during the festivities, where the participants are somehow unique in their stubbornness about carrying the danjiri (which weigh several hundred kilograms each) for two days, with very few breaks for eating and sleeping. Exhaustion and physical pain become apparent after the first hours and by the end of the second day some of them sleep walk; nevertheless, sadness, not relief, is the prevalent emotion the day after the festival, when the danjiri are taken apart and stored in special warehouses, to be taken out again the next year. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Romanian Journal of Artistic Creativity Addleton Academic Publishers

Working for the gods: feasting and sacrifice at Saijo Matsuri

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Publisher
Addleton Academic Publishers
Copyright
© 2009 Addleton Academic Publishers
ISSN
2327-5707
eISSN
2473-6562
Publisher site
See Article on Publisher Site

Abstract

Modeled after the famous Gion Matsuri, Saijo Matsuri only boasts 300 years of history, yet pride in the local festival is high and those born in Saijo will return there from all corners of Japan in order to take part or simply enjoy three days of revelry in the company of the descending gods. Centered around Isono Shrine (a place of worship dedicated to the goddess Amaterasu), Saijo Matsuri involves more than eighty exquisitely decorated parade floats that are almost continuously carried around the city for two days and two nights. The present paper focuses on the human sacrifice aspect apparent during the festivities, where the participants are somehow unique in their stubbornness about carrying the danjiri (which weigh several hundred kilograms each) for two days, with very few breaks for eating and sleeping. Exhaustion and physical pain become apparent after the first hours and by the end of the second day some of them sleep walk; nevertheless, sadness, not relief, is the prevalent emotion the day after the festival, when the danjiri are taken apart and stored in special warehouses, to be taken out again the next year.

Journal

Romanian Journal of Artistic CreativityAddleton Academic Publishers

Published: Jan 1, 2016

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