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Astrology as Political Propaganda: Humanist Responses to the Turkish Threat in Early-Sixteenth-Century Vienna

Astrology as Political Propaganda: Humanist Responses to the Turkish Threat in... Emperor Maximilian I spared no expense or eff ort to ensure that he would be remembered the way that he wanted to be remembered. Th roughout his reign he concentrated on his image, crafting it to suit his political and dynastic goals. He justifi ed his efforts by claiming that, “Whoever prepares no memorial for himself during his lifetime has none after his death, and that same person will be forgotten along with the sound of the bell that tolls his passing. And so the money I spend on my memorial is not lost; rather, to spare expense on my memorial is to suppress my future reputation. For what I do not produce toward my own memorial during my lifetime will not be celebrated after my death by you or anybody else.” A key aspect of the emperor's memorial was his patronage of and skill in astrology. The image of Maximilian as patron and student of astrology was one of his own making. In his autobiographical writings, Maximilian emphasized his efforts to learn and practice astrology. His personal secretary and adviser, Joseph Grünpeck, who worked on early draft s of the emperor's autobiography and wrote a biography of Maximilian, consistently portrayed the emperor as an avid and gift ed student of astrology. In the biography, which he dedicated to Emperor Charles V, Grünpeck recounted Maximilian's enjoyment in reading astrological and astronomical literature, especially Ptolemy. Not long after Maximilian died, Johannes Schöner praised the emperor for his efforts in astrology and numbered him among the most important patrons of astrology. Toward the end of the sixteenThcentury, Henry Ranzovius, in his history of great patrons of astrology, singled out Maximilian and labeled him a lover of the art. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Austrian History Yearbook Cambridge University Press

Astrology as Political Propaganda: Humanist Responses to the Turkish Threat in Early-Sixteenth-Century Vienna

Austrian History Yearbook , Volume 38: 31 – Jan 18, 2010
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Publisher
Cambridge University Press
Copyright
Copyright © Center for Austrian Studies, University of Minnesota 2007
ISSN
0067-2378
eISSN
1558-5255
DOI
10.1017/S0067237800021421
Publisher site
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Abstract

Emperor Maximilian I spared no expense or eff ort to ensure that he would be remembered the way that he wanted to be remembered. Th roughout his reign he concentrated on his image, crafting it to suit his political and dynastic goals. He justifi ed his efforts by claiming that, “Whoever prepares no memorial for himself during his lifetime has none after his death, and that same person will be forgotten along with the sound of the bell that tolls his passing. And so the money I spend on my memorial is not lost; rather, to spare expense on my memorial is to suppress my future reputation. For what I do not produce toward my own memorial during my lifetime will not be celebrated after my death by you or anybody else.” A key aspect of the emperor's memorial was his patronage of and skill in astrology. The image of Maximilian as patron and student of astrology was one of his own making. In his autobiographical writings, Maximilian emphasized his efforts to learn and practice astrology. His personal secretary and adviser, Joseph Grünpeck, who worked on early draft s of the emperor's autobiography and wrote a biography of Maximilian, consistently portrayed the emperor as an avid and gift ed student of astrology. In the biography, which he dedicated to Emperor Charles V, Grünpeck recounted Maximilian's enjoyment in reading astrological and astronomical literature, especially Ptolemy. Not long after Maximilian died, Johannes Schöner praised the emperor for his efforts in astrology and numbered him among the most important patrons of astrology. Toward the end of the sixteenThcentury, Henry Ranzovius, in his history of great patrons of astrology, singled out Maximilian and labeled him a lover of the art.

Journal

Austrian History Yearbook – Cambridge University Press

Published: Jan 18, 2010

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