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R. Styers (2004)
Making Magic: Religion, Magic, and Science in the Modern World
D. Pinder (2001)
Ghostly Footsteps: Voices, Memories and Walks in the CityEcumene (continues as Cultural Geographies), 8
That Mothman: would you believe a Sandhill Crane?', The Point Pleasant Register
Is mysterious creature balloon or Crane?
The moth man cometh', Guardian Unlimited
M. Bell (1997)
The ghosts of placeTheory and Society, 26
F. Callard (2003)
The taming of psychoanalysis in geographySocial & Cultural Geography, 4
City getting "the bird," want it or not', The Point Pleasant Register
(1982)
The reality effect', trans. Richard Howard
(2002)
This same reading of the encounter was used as the basis for Nickell's recent denouement
Karen Brennan (1994)
The Geography of Enunciation: Hysterical Pastiche in Kathy Acker's Fictionboundary 2, 21
S. Pile (2005)
Real Cities: Modernity, Space and the Phantasmagorias of City Life
The trailer for The mothman prophecies can be
C. Treitel (2006)
:The Place of Enchantment: British Occultism and the Culture of the ModernThe Journal of Modern History
(2002)
Directed by Mark Pellington, produced by Lakeshore Entertainment Corporation. DVD distributed by Warner Home Video (UK) Ltd
The decentering devices used to establish a sense of unease also come under fire: '… enough already with the ambiguous point-of-view cam peeking at Gere through bushes
(2002)
Mothman and other curious encounters
Monster no joke for those who saw it', The Athens Messenger
Couples see man-sized bird… creature… something!
R. Porter (1999)
Wonders and the order of natureJournal of The History of The Behavioral Sciences, 35
T. Unwin (2005)
Geography and the Art of LifeAnnals of the Association of American Geographers, 95
R. Sack (1976)
MAGIC AND SPACEAnnals of The Association of American Geographers, 66
(1974)
Book of the damned; C. Fort, New lands, 1921, reprinted in The complete works of Charles Fort
Jonathan Keel (1975)
The Mothman Prophecies
Invasion of the doll people
(1931)
Only yesterday, an informal history of the twenties
R. Cook, A. Braude (1989)
"Radical Spirits": Spiritualism and Women's Rights in Nineteenth Century AmericaLabour/Le Travail, 28
(2002)
Amateur experimenters in professionalizing America: tinkering with modern authority in Hugo Gernsback's radio and electrics magazines
The geographical tradition
(1998)
Phantasmagoria/phantasm agora: materiality, spatiality and ghosts
H. Brands (2008)
The Search for Order
(2001)
wherein the privatisation of various infrastructural systems is framed as one such negative, often overlooked set of practices
D. Matless (1991)
Nature, the Modern and the Mystic: Tales from Early Twentieth Century GeographyTransactions of the Institute of British Geographers, 16
Tanith Lee (1988)
The Book of the Damned
(1974)
The book of the damned, 1919, reprinted in The complete works of Charles Fort
(2004)
Though more well-known for his work on the 'gift', Marcel Mauss also considered magic as a key mechanism through which social cohesion was maintained. See Mauss, A general theory of magic
C. Hazen (2000)
The Village Enlightenment in America: Popular Religion and Science in the Nineteenth Century
P. Buse, A. Stott (1999)
Ghosts: deconstruction, psychoanalysis, history
In this article I delineate the character of a determinedly non-academic, yet avowedly critical body of literature, namely Forteanism. I begin by outlining the goals and objectives of Forteanism as it strives to establish a `critical space' for itself through its relationship with mainstream science and popular accounts of the paranormal. Forteanism treats both as economies of belief, focusing attention on the practices by which reports of the anomalous, the aberrant and the strange are expelled from — or `damned' by — those bodies of knowledge that require order, certainty and truth. Trenchantly sceptical of all forms of systematized knowledge, Forteanism is, nevertheless, taken with the disruptive potential of what are termed `extra-geographies,' whereby the rigid spatial categorizations of cartographers and planners provoke, and are on occasion overturned by, flights of imagination and fancy. In the second half of the article I undertake a biography of one of Forteana's key figures, the Mothman, noting how this anomalous figure has been constructed through eyewitness accounts, media reports, a research text and, finally, a Hollywood film. In doing so, I hope to draw out the extra-geographies that are conjured up by a Fortean project per se, but also to bring forth a partial geography of Forteanism itself, indicating how, and in what form, it has arisen as a critique of systematic forms of knowledge. I conclude with some comments on the resonances between a benevolent and sceptical Forteanism and those analyses within human geography that find fertile ground in the interplay between the `there and the not-there.'
Cultural Geographies – SAGE
Published: Apr 1, 2007
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