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Book Review: The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles

Book Review: The Most Typical Avant-Garde: History and Geography of Minor Cinemas... Book reviews 125 Theory and the Avant-Garde (2002). Unfortunately, an English trans- lation is not yet available, but for Russian speakers, this volume should be part of every library on animation. References Asenin, S. (1986) Mir mul’tfil’ma. Moscow: Isskustvo. Bendazzi, G. (1994) Cartoons: One Hundred Years of Cinema Animation. London: John Libbey. Evteeva, E. (1990) ‘Process zhanroobrasovanija v sovetckoj multiplikacii 60–80 godov’, PhD dissertation, Leningradskij Gosudarstvenyj Institut Teatra, Musiki i Kinematografii. Ivanov-Vano, I. (1984) Kadr za kadrom. Moscow: Iskusstvo. Leslie, E. (2002) Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde. London: Verso. Wyss, B. (1997) Die Welt als T-shirt. Zur Ästhetik und Geschichte der Medien. Cologne: DuMont. Timo Linsenmaier lives in Moscow, where he is currently research- ing his PhD thesis on the development of Soviet animation. He studied Art and Media Theory at the State University of Design (HfG) in Karlsruhe, Germany, and also studied Animation History at the State Russian Film School (VGIK) in Moscow. [email: tlinsenm@hfg-karlsruhe.de] David E. James, The Most Typical Avant-Garde: History and Geog- raphy of Minor Cinemas in Los Angeles. Berkeley: University of Cali- fornia Press, 2005. 562 pp., 82 illus. ISBN 0–520–24257–2 (hbk); ISBN 0–520–24258–0 (pbk). DOI: 10.1177/1746847706065850 It is impossible to http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Animation: An Interdisciplinary Journal SAGE

Book Review: The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles

Meng, Victoria
Animation: An Interdisciplinary Journal , Volume 1 (1): 4 – Jul 1, 2006
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SAGE
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1746-8477
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DOI
10.1177/1746847706065850
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Abstract

Book reviews 125 Theory and the Avant-Garde (2002). Unfortunately, an English trans- lation is not yet available, but for Russian speakers, this volume should be part of every library on animation. References Asenin, S. (1986) Mir mul’tfil’ma. Moscow: Isskustvo. Bendazzi, G. (1994) Cartoons: One Hundred Years of Cinema Animation. London: John Libbey. Evteeva, E. (1990) ‘Process zhanroobrasovanija v sovetckoj multiplikacii 60–80 godov’, PhD dissertation, Leningradskij Gosudarstvenyj Institut Teatra, Musiki i Kinematografii. Ivanov-Vano, I. (1984) Kadr za kadrom. Moscow: Iskusstvo. Leslie, E. (2002) Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde. London: Verso. Wyss, B. (1997) Die Welt als T-shirt. Zur Ästhetik und Geschichte der Medien. Cologne: DuMont. Timo Linsenmaier lives in Moscow, where he is currently research- ing his PhD thesis on the development of Soviet animation. He studied Art and Media Theory at the State University of Design (HfG) in Karlsruhe, Germany, and also studied Animation History at the State Russian Film School (VGIK) in Moscow. [email: tlinsenm@hfg-karlsruhe.de] David E. James, The Most Typical Avant-Garde: History and Geog- raphy of Minor Cinemas in Los Angeles. Berkeley: University of Cali- fornia Press, 2005. 562 pp., 82 illus. ISBN 0–520–24257–2 (hbk); ISBN 0–520–24258–0 (pbk). DOI: 10.1177/1746847706065850 It is impossible to

Journal

Animation: An Interdisciplinary Journal – SAGE

Published: Jul 1, 2006

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