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Editorial

Editorial 1134726 ANM0010.1177/17468477221134726AnimationEditorial editorial2022 animation: an interdisciplinary journal 2022, Vol. 17(3) 267 –270 © The Author(s) 2022 Article reuse guidelines: sagepub.com/journals-permissions https://doi.org/10.1177/17468477221134726 DOI: 10.1177/17468477221134726 journals.sagepub.com/home/anm In a previous Special Issue on New Perspectives on Animation Historiography (Volume 17, No 1), Co-Guest Editors Rada Bieberstein and Erwin Feyersinger wrote what they called an ‘open paper’ inviting scholars to consider joining the discussion around ways to approach histories and historiographies of animation. While none of the articles in the present issue explicitly respond to this, this issue of animation: an interdisciplinary journal has a thread of history running through it that loosely links the articles, yet in very different ways, from documentary history or a history of myth to national history, historiography or the development history of a single film. We hope you pick up some of the threads and that you enjoy this issue as much as we did working with the authors. One way that animation is employed is in the visualization of what is unseen or unwitnessed, yet known. It has featured in many films and broadcast programmes that work with historical subjects, using imaginative interpretations of texts, drawings, sound recordings or oral histories; these animation segments or sequences http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Animation SAGE

Editorial

Buchan, Suzanne
Animation , Volume 17 (3): 4 – Nov 1, 2022
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Publisher
SAGE
Copyright
© The Author(s) 2022
ISSN
1746-8477
eISSN
1746-8485
DOI
10.1177/17468477221134726
Publisher site
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Abstract

1134726 ANM0010.1177/17468477221134726AnimationEditorial editorial2022 animation: an interdisciplinary journal 2022, Vol. 17(3) 267 –270 © The Author(s) 2022 Article reuse guidelines: sagepub.com/journals-permissions https://doi.org/10.1177/17468477221134726 DOI: 10.1177/17468477221134726 journals.sagepub.com/home/anm In a previous Special Issue on New Perspectives on Animation Historiography (Volume 17, No 1), Co-Guest Editors Rada Bieberstein and Erwin Feyersinger wrote what they called an ‘open paper’ inviting scholars to consider joining the discussion around ways to approach histories and historiographies of animation. While none of the articles in the present issue explicitly respond to this, this issue of animation: an interdisciplinary journal has a thread of history running through it that loosely links the articles, yet in very different ways, from documentary history or a history of myth to national history, historiography or the development history of a single film. We hope you pick up some of the threads and that you enjoy this issue as much as we did working with the authors. One way that animation is employed is in the visualization of what is unseen or unwitnessed, yet known. It has featured in many films and broadcast programmes that work with historical subjects, using imaginative interpretations of texts, drawings, sound recordings or oral histories; these animation segments or sequences

Journal

Animation – SAGE

Published: Nov 1, 2022

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