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Editorial

Editorial 1163421 ANM0010.1177/17468477231163421AnimationEditorial editorial2023 animation: an interdisciplinary journal 2023, Vol. 18(1) 3 –6 © The Author(s) 2023 Article reuse guidelines: sagepub.com/journals-permissions https://doi.org/10.1177/17468477231163421 DOI: 10.1177/17468477231163421 journals.sagepub.com/home/anm This issue brings you a set of interdisciplinary articles in unanticipated dialogues with each other, often through a long view, of histories of art, natural science and (pre-) cinema. For this reader, there is also an undercurrent throughout of pioneering media (an)archaeologist Zielinski’s (2006) Deep Time of the Media, that should be required reading for all interested in animation – and cin- ema as a whole – before and after the invention of photochemical processes. Zielinski’s challenges are to ‘an anemic and evolutionary model [that] has come to dominate many studies in so-called media’ (p. vii) and to a dominant orthodox historiography (pp. vii–viii). He is clear that the field of media archaeology ‘faces numerous issues to evolve histories of technologies, apparatuses, effects, images, iconographies, and so forth, within a larger scheme of reintegration in order to expand a largely ignored aspect of conventional history’ (p. ix). As an academic journal, we also encourage authorship that engages with expanding our field, including in the ways Zielinski proposes. Some of the articles in this issue develop http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Animation SAGE

Editorial

Buchan, Suzanne
Animation , Volume 18 (1): 4 – Mar 1, 2023
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References (5)

Publisher
SAGE
Copyright
© The Author(s) 2023
ISSN
1746-8477
eISSN
1746-8485
DOI
10.1177/17468477231163421
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Abstract

1163421 ANM0010.1177/17468477231163421AnimationEditorial editorial2023 animation: an interdisciplinary journal 2023, Vol. 18(1) 3 –6 © The Author(s) 2023 Article reuse guidelines: sagepub.com/journals-permissions https://doi.org/10.1177/17468477231163421 DOI: 10.1177/17468477231163421 journals.sagepub.com/home/anm This issue brings you a set of interdisciplinary articles in unanticipated dialogues with each other, often through a long view, of histories of art, natural science and (pre-) cinema. For this reader, there is also an undercurrent throughout of pioneering media (an)archaeologist Zielinski’s (2006) Deep Time of the Media, that should be required reading for all interested in animation – and cin- ema as a whole – before and after the invention of photochemical processes. Zielinski’s challenges are to ‘an anemic and evolutionary model [that] has come to dominate many studies in so-called media’ (p. vii) and to a dominant orthodox historiography (pp. vii–viii). He is clear that the field of media archaeology ‘faces numerous issues to evolve histories of technologies, apparatuses, effects, images, iconographies, and so forth, within a larger scheme of reintegration in order to expand a largely ignored aspect of conventional history’ (p. ix). As an academic journal, we also encourage authorship that engages with expanding our field, including in the ways Zielinski proposes. Some of the articles in this issue develop

Journal

Animation – SAGE

Published: Mar 1, 2023

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