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Image Future

Image Future Today the techniques of traditional animation, cinematography, and computer graphics are often used in combination to create new hybrid moving image forms. This article discusses this process using the example of a particularly intricate hybrid – the Universal Capture method used in the second and third films of The Matrixtrilogy. Rather than expecting that any of the present ‘pure’ forms will dominate the future of visual and moving image cultures, it is suggested that the future belongs to such hybrids. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Animation: An Interdisciplinary Journal SAGE

Image Future

Manovich, Lev
Animation: An Interdisciplinary Journal , Volume 1 (1): 20 – Jul 1, 2006
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Publisher
SAGE
Copyright
Copyright © by SAGE Publications
ISSN
1746-8477
eISSN
1746-8485
DOI
10.1177/1746847706065839
Publisher site
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Abstract

Today the techniques of traditional animation, cinematography, and computer graphics are often used in combination to create new hybrid moving image forms. This article discusses this process using the example of a particularly intricate hybrid – the Universal Capture method used in the second and third films of The Matrixtrilogy. Rather than expecting that any of the present ‘pure’ forms will dominate the future of visual and moving image cultures, it is suggested that the future belongs to such hybrids.

Journal

Animation: An Interdisciplinary Journal – SAGE

Published: Jul 1, 2006

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