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Leiji Matsumoto’s Galaxy Express 999: 40th Anniversary Exhibition (마츠모토 레이지 은하철도999展 발표 40주년 기념) 18 March–1 May 2017, Seoul Arts Center, Seoul, Republic of Korea

Leiji Matsumoto’s Galaxy Express 999: 40th Anniversary Exhibition (마츠모토 레이지 은하철도999展 발표 40주년 기념)... 716253 ANM0010.1177/1746847717716253AnimationReview review-article2017 Review animation: an interdisciplinary journal 2017, Vol. 12(2) 195 –197 Leiji Matsumoto’s Galaxy © The Author(s) 2017 Reprints and permissions: Express 999: 40th Anniversary sagepub.co.uk/journalsPermissions.nav https://doi.org/10.1177/1746847717716253 DOI: 10.1177/1746847717716253 journals.sagepub.com/home/anm Exhibition (마츠모토 레이지 은하철도999展 발표 40주년 기념) 18 March–1 May 2017, Seoul Arts Center, Seoul, Republic of Korea Jason Barker Kyung Hee University, School of Global Communication, Gyeonggi-do, Republic of Korea Leiji Matsumoto is not so much an enigma to western animation audiences as an enigmatic absence. In the pantheon of manga and anime artists, he occupies a place alongside Hayao Miyazaki and Isao Takahata (at 79 he is 2 years younger than the latter and 3 years older than the former). Like these other artists, Matsumoto first came to mainstream attention in Japan through his work with the Toei Animation studios in the late 1970s. Both Galaxy Express 999 and Space Pirate Captain Harlock were adapted for Japanese television from his manga series and broadcast between 1978– 1981. A Galaxy Express 999 feature film was released in 1979 and a second in 1981. However, aside from his commercial breakthrough in Japan and Korea and subsequent anime creations, today neither the popularity of his work nor his http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Animation: An Interdisciplinary Journal SAGE

Leiji Matsumoto’s Galaxy Express 999: 40th Anniversary Exhibition (마츠모토 레이지 은하철도999展 발표 40주년 기념) 18 March–1 May 2017, Seoul Arts Center, Seoul, Republic of Korea

Barker, Jason
Animation: An Interdisciplinary Journal , Volume 12 (2): 3 – Jul 1, 2017
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Publisher
SAGE
Copyright
© The Author(s) 2017
ISSN
1746-8477
eISSN
1746-8485
DOI
10.1177/1746847717716253
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Abstract

716253 ANM0010.1177/1746847717716253AnimationReview review-article2017 Review animation: an interdisciplinary journal 2017, Vol. 12(2) 195 –197 Leiji Matsumoto’s Galaxy © The Author(s) 2017 Reprints and permissions: Express 999: 40th Anniversary sagepub.co.uk/journalsPermissions.nav https://doi.org/10.1177/1746847717716253 DOI: 10.1177/1746847717716253 journals.sagepub.com/home/anm Exhibition (마츠모토 레이지 은하철도999展 발표 40주년 기념) 18 March–1 May 2017, Seoul Arts Center, Seoul, Republic of Korea Jason Barker Kyung Hee University, School of Global Communication, Gyeonggi-do, Republic of Korea Leiji Matsumoto is not so much an enigma to western animation audiences as an enigmatic absence. In the pantheon of manga and anime artists, he occupies a place alongside Hayao Miyazaki and Isao Takahata (at 79 he is 2 years younger than the latter and 3 years older than the former). Like these other artists, Matsumoto first came to mainstream attention in Japan through his work with the Toei Animation studios in the late 1970s. Both Galaxy Express 999 and Space Pirate Captain Harlock were adapted for Japanese television from his manga series and broadcast between 1978– 1981. A Galaxy Express 999 feature film was released in 1979 and a second in 1981. However, aside from his commercial breakthrough in Japan and Korea and subsequent anime creations, today neither the popularity of his work nor his

Journal

Animation: An Interdisciplinary Journal – SAGE

Published: Jul 1, 2017

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