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Review: Anna Bentkowska-Kafel, Trish Cashen and Hazel Gardiner (eds.), Digital Visual Culture: Theory and Practice (Computers and the History of Art Series, Volume 3). Bristol: Intellect Books, 2009. 112 pp. ISBN: 978—1841502489

Review: Anna Bentkowska-Kafel, Trish Cashen and Hazel Gardiner (eds.), Digital Visual Culture:... 378 Animation: An Interdisciplinary Journal 5(3) References Ajanovic, M. (2004) Animation and Realism. Zagreb: Croatian Film Club Association. Halas, V. and Wells, P. (2006) Halas and Batchelor Cartoons: An Animated History. London: Southbank Publishing. Jones, C. (1990) Chuck Amuck. London: Simon and Schuster. Chris Pallant is an independent researcher in the field of animation studies. His interests include the evolu- tion of Walt Disney feature animation and how animation functions as both art and commodity. He is cur- rently preparing a revisionist history of Disney animation for the publisher Continuum. He is also a 2010 Fulbright awardee, a member of the Society for Animation Studies, and is Reviews Editor for the Journal of Screenwriting. [email: c.j.pallant@bangor.ac.uk] Anna Bentkowska-Kafel, Trish Cashen and Hazel Gardiner (eds.), Digital Visual Culture: Theory and Practice (Computers and the History of Art Series, Volume 3). Bristol: Intellect Books, 2009. 112 pp. ISBN: 978–1841502489 Digital Visual Culture: Theory and Practice is the third yearbook in the CHArt series. A London- based internationally oriented organisation: CHArt was established in 1985 by art and design historians who happened also to be computer enthu- siasts. Initially a forum for the exchange of ideas between people who were using computers http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Animation: An Interdisciplinary Journal SAGE

Review: Anna Bentkowska-Kafel, Trish Cashen and Hazel Gardiner (eds.), Digital Visual Culture: Theory and Practice (Computers and the History of Art Series, Volume 3). Bristol: Intellect Books, 2009. 112 pp. ISBN: 978—1841502489

Wood, Aylish
Animation: An Interdisciplinary Journal , Volume 5 (3): 4 – Nov 1, 2010
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Publisher
SAGE
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Copyright © by SAGE Publications
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1746-8477
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1746-8485
DOI
10.1177/17468477100050030902
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378 Animation: An Interdisciplinary Journal 5(3) References Ajanovic, M. (2004) Animation and Realism. Zagreb: Croatian Film Club Association. Halas, V. and Wells, P. (2006) Halas and Batchelor Cartoons: An Animated History. London: Southbank Publishing. Jones, C. (1990) Chuck Amuck. London: Simon and Schuster. Chris Pallant is an independent researcher in the field of animation studies. His interests include the evolu- tion of Walt Disney feature animation and how animation functions as both art and commodity. He is cur- rently preparing a revisionist history of Disney animation for the publisher Continuum. He is also a 2010 Fulbright awardee, a member of the Society for Animation Studies, and is Reviews Editor for the Journal of Screenwriting. [email: c.j.pallant@bangor.ac.uk] Anna Bentkowska-Kafel, Trish Cashen and Hazel Gardiner (eds.), Digital Visual Culture: Theory and Practice (Computers and the History of Art Series, Volume 3). Bristol: Intellect Books, 2009. 112 pp. ISBN: 978–1841502489 Digital Visual Culture: Theory and Practice is the third yearbook in the CHArt series. A London- based internationally oriented organisation: CHArt was established in 1985 by art and design historians who happened also to be computer enthu- siasts. Initially a forum for the exchange of ideas between people who were using computers

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Animation: An Interdisciplinary Journal – SAGE

Published: Nov 1, 2010

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