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John Wylie (2007)
The spectral geographies of W.G. SebaldCultural Geographies, 14
For details regarding the source of materials used and to watch the work itself visit
(2010)
The Space and The Visitor
(2011)
For documentation of her collaborative curatorial practice see
Why we must own up to the human cost of our obsession with cheap clothes', The Observer
(2007)
The Life and Death of Five Spaces: Public Art & Community Regeneration in Glasgow', cultural geographies, 14
Caitlin DeSilvey (2010)
Memory in motion: soundings from Milltown, MontanaSocial & Cultural Geography, 11
Spectral Geographies
N. Morris, Sarah Cant (2006)
Engaging with place: artists, site-specificity and the Hebden Bridge Sculpture TrailSocial & Cultural Geography, 7
(2003)
From Utopianism to Weak Messianism: Electronic Culture's Spectral Moment
C. McEwan (2008)
A Very Modern Ghost: Postcolonialism and the Politics of EnchantmentEnvironment and Planning D: Society and Space, 26
(2008)
For documentation of Merle Patchett's research and writing see for example
422030 CGJXXX10.1177/1474474011422030Enigbokan and PatchettCultural Geographies cultural geographies 19(4) 535 –546 Speaking with specters: © The Author(s) 2011 Reprints and permission: sagepub. experimental geographies co.uk/journalsPermissions.nav DOI: 10.1177/1474474011422030 cgj.sagepub.com in practice Adeola Enigbokan City University of New York, USA Merle Patchett University of Alberta, Canada Introduction Figure 1. Image used for the Terrible Karma flyer. Photograph by L. W. Hine © NYPL. Terrible Karma: Reverberations of the Triangle Shirtwaist Fire was a mobile audio-visual installation exploring the global reverberations of the Triangle Shirtwaist Factory fire (in which 146 garment workers, mostly young immigrant women, were killed) on its 100th anniversary: 25 March 2011. Corresponding author: Merle Patchett, City-Regions Studies Centre, University of Alberta, 10756 79 Ave, Edmonton, T6E 1S3, Alberta, Canada Email: merle44@hotmail.com 536 cultural geographies 19(4) The title – Terrible Karma – refers to both the title of a protest song sung by Cambodian female garment workers at a union rally in Phnom Penh 2010 and to the idea that events of the garment industry past continue to haunt the present: that injustice unresolved always comes back. The instal- lation ‘took to the streets’ on 25 March 2011when the audio-visuals were projected out of a UHAUL truck parked in downtown
Cultural Geographies – SAGE
Published: Oct 1, 2012
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