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Werner Bachmann, Robert E. Seletsky, David D. Boyden, Jaak Liivoja-Lorius, Peter Walls, Peter Cooke (2001)
BowOxford Music Online
He has won several prizes in cello and chamber music competitions. In recitals, he shows the contrast between baroque and contemporary music. He has been member of the Malaga Philharmonic Orchestra
(2006)
Technique, Style Performing Practice to c. 1900.
J. Wag (2009)
Oxford Music OnlineNotes, 66
(2015)
“ German Bows : From ‘ Cramer Bow ’ to ‘ Biedermeier Bow . ’ ” In
(2017)
Two Cello Bows by François Xavier Tourte
R. Stowell (1999)
The Cambridge companion to Cello
(2001)
Bow.” Oxford Music Online. https://doi.org/10.1093/gmo/9781561592630.article.03753 Dilworth, John
(2006)
“ The Bow : Its History Development
1166024 STA AMERICAN STRING TEACHERWWW.ASTAWEB.COM Feature By Juan Márquez The modern bow is the result of the evolution and development of several models that preceded it. The first ones were a simple wooden rod with a mane. However, the A better awareness of the current bow is longer and is composed of several pieces made origins and evolutions of the of different materials. The frog, tip, manner of tightening the hair, and curvature have undergone a process of evolution over bow will allow all players the centuries that has culminated in the Tourte model. A better to understand how the awareness of the origins and evolutions of the bow will allow modifications to the bow all players to understand how the modifications to the bow have changed technique and pedagogy over time. have changed technique and pedagogy over time. Origins The earliest bowed instruments date back to the tenth century and appeared in Central Asia. Expansion of Arabian culture through Central Asia and the Middle East into European territories influenced changes in the bow such as hair and The Bow from the Seventeenth Century sizes. Until the early 1600s, bows had a wide variety of sizes to the Middle
American String Teacher – SAGE
Published: May 1, 2023
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