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[Under the umbrella heading of Theatre for Development, but encompassing a host of forms of social activist theatre, this chapter offers the first regional history of how and why such productions have come, from the 1980s, to dominate the theatre landscape in much of East Africa. The chapter traces varying national modes in adopting and utilising the form and discusses how it has been used and abused by intellectuals; I/NGOs; governments and community groups to engage with a host a social issues.]
Published: Nov 3, 2021
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