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A NIME Reader2001: Problems and Prospects for Intimate Musical Control of Computers

A NIME Reader: 2001: Problems and Prospects for Intimate Musical Control of Computers [In this paper we describe our efforts towards the development of live performance computer-based musical instrumentation. Our design criteria include initial ease of use coupled with a long term potential for virtuosity, minimal and low variance latency, and clear and simple strategies for programming the relationship between gesture and musical result. We present custom controllers and unique adaptations of standard gestural interfaces, a programmable connectivity processor, a communications protocol called Open Sound Control (OSC), and a variety of metaphors for musical control. We further describe applications of our technology to a variety of real musical performances and directions for future research.] http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png

A NIME Reader2001: Problems and Prospects for Intimate Musical Control of Computers

Part of the Current Research in Systematic Musicology Book Series (volume 3)
Editors: Jensenius, Alexander Refsum; Lyons, Michael J.
Wessel, David; Wright, Matthew
Springer Journals — Mar 7, 2017
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12 pages

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Publisher
Springer International Publishing
Copyright
© Springer International Publishing AG 2017
ISBN
978-3-319-47213-3
Pages
15 –27
DOI
10.1007/978-3-319-47214-0_2
Publisher site
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Abstract

[In this paper we describe our efforts towards the development of live performance computer-based musical instrumentation. Our design criteria include initial ease of use coupled with a long term potential for virtuosity, minimal and low variance latency, and clear and simple strategies for programming the relationship between gesture and musical result. We present custom controllers and unique adaptations of standard gestural interfaces, a programmable connectivity processor, a communications protocol called Open Sound Control (OSC), and a variety of metaphors for musical control. We further describe applications of our technology to a variety of real musical performances and directions for future research.]

Published: Mar 7, 2017

Keywords: Field Programmable Gate Array; Musical Instrument; Computer Music; Gestural Interface; Musical Process

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