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A Theory of Narrative DrawingDrawing Demonstration Two: Time and Self-Observation

A Theory of Narrative Drawing: Drawing Demonstration Two: Time and Self-Observation [Grennan presents the second of two practical visual demonstrations of his theory of narrative drawing. These are highly original, due to the well-crafted methodological and theoretical framing of both the analysis and the personal application of the exercise by the author. Grennan frames this second demonstration with a detailed discussion of the practices of appropriation and détournement. He discusses these relative to contemporary examples. In this second demonstration, Grennan aims to make a series of new narrative drawings under the constraints of a recognised horizon of expectation. This second visual demonstration produces and then analyses a set of new narrative drawings, made by the author, which appear to be typical of narrative drawing genres of the 1950s, 1960s and 1970s.] http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png

A Theory of Narrative DrawingDrawing Demonstration Two: Time and Self-Observation

Part of the Palgrave Studies in Comics and Graphic Novels Book Series
Grennan, Simon
Springer Journals — Apr 19, 2017
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33 pages

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Publisher
Palgrave Macmillan US
Copyright
© The Editor(s) (if applicable) and The Author(s) 2017
ISBN
978-1-137-52165-1
Pages
217 –250
DOI
10.1057/978-1-137-51844-6_4
Publisher site
See Chapter on Publisher Site

Abstract

[Grennan presents the second of two practical visual demonstrations of his theory of narrative drawing. These are highly original, due to the well-crafted methodological and theoretical framing of both the analysis and the personal application of the exercise by the author. Grennan frames this second demonstration with a detailed discussion of the practices of appropriation and détournement. He discusses these relative to contemporary examples. In this second demonstration, Grennan aims to make a series of new narrative drawings under the constraints of a recognised horizon of expectation. This second visual demonstration produces and then analyses a set of new narrative drawings, made by the author, which appear to be typical of narrative drawing genres of the 1950s, 1960s and 1970s.]

Published: Apr 19, 2017

Keywords: Narrative Drawing; Buchloh; Relative Subjective Positions; Intersubjective Relationships; Story Template

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