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Creative Selves / Creative CulturesWriting Sensation: Critical Autoethnography in Posthumanism

Creative Selves / Creative Cultures: Writing Sensation: Critical Autoethnography in Posthumanism [This chapter suggests the importance of considering materials within our worlds and worlding within critical authoethnography, considering especially various posthuman(ist)and new materialist approaches. With a focus on writing sensation, Dickinson weaves human and nonhuman frameworks throughout her own experience of object awareness, circulation, and material/sensorial phenomena. By writing about objects within her own life, she suggests the possibility that critical autoethnography can reconsider experiences with materials through story in order to acknowledge not only object signification but the positionality and circulation of objects with the social world.] http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png

Creative Selves / Creative CulturesWriting Sensation: Critical Autoethnography in Posthumanism

Part of the Creativity, Education and the Arts Book Series
Editors: Holman Jones, Stacy; Pruyn, Marc
Dickinson, Summer
Creative Selves / Creative Cultures — Nov 30, 2017
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Publisher
Springer International Publishing
Copyright
© The Editor(s) (if applicable) and The Author(s) 2018
ISBN
978-3-319-47526-4
Pages
79 –92
DOI
10.1007/978-3-319-47527-1_5
Publisher site
See Chapter on Publisher Site

Abstract

[This chapter suggests the importance of considering materials within our worlds and worlding within critical authoethnography, considering especially various posthuman(ist)and new materialist approaches. With a focus on writing sensation, Dickinson weaves human and nonhuman frameworks throughout her own experience of object awareness, circulation, and material/sensorial phenomena. By writing about objects within her own life, she suggests the possibility that critical autoethnography can reconsider experiences with materials through story in order to acknowledge not only object signification but the positionality and circulation of objects with the social world.]

Published: Nov 30, 2017

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