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Modernist Poetry, Gender and Leisure TechnologiesEpilogue: Digital Humanities and Posthuman Feminist Modernism

Modernist Poetry, Gender and Leisure Technologies: Epilogue: Digital Humanities and Posthuman... [This book closes by turning to our contemporary wireless world and the place of modernist women within it, culminating in an epilogue that considers the uncanny presence of the women of modernism in digital technologies and their position in the archives and practices of contemporary digital humanities. The epilogue serves to affirm the historical specificity of modernist women’s engagement with leisure technologies in their poetry and the forms of lyric becoming they imagined, but also highlights what their experience of technologized subjectivities bequeaths to contemporary conceptions of the gendered subject and her relation to the diverse disturbances of machine amusements.] http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png

Modernist Poetry, Gender and Leisure TechnologiesEpilogue: Digital Humanities and Posthuman Feminist Modernism

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Publisher
Palgrave Macmillan US
Copyright
© The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature America, Inc. 2019
ISBN
978-1-349-95960-0
Pages
293 –298
DOI
10.1057/978-1-349-95961-7_7
Publisher site
See Chapter on Publisher Site

Abstract

[This book closes by turning to our contemporary wireless world and the place of modernist women within it, culminating in an epilogue that considers the uncanny presence of the women of modernism in digital technologies and their position in the archives and practices of contemporary digital humanities. The epilogue serves to affirm the historical specificity of modernist women’s engagement with leisure technologies in their poetry and the forms of lyric becoming they imagined, but also highlights what their experience of technologized subjectivities bequeaths to contemporary conceptions of the gendered subject and her relation to the diverse disturbances of machine amusements.]

Published: Oct 30, 2019

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