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Opera House Acoustics Based on Subjective Preference TheoryImprovements in Subjective Preferences for Listeners and Performers

Opera House Acoustics Based on Subjective Preference Theory: Improvements in Subjective... [Acoustical measurements were conducted in two ancient theaters––one Greek and one Roman––the origin of modern opera houses. The Delphi theaterDelphi theater (Greece) does not have a stage building, while the Taormina theaterTaormina theater (Italy) has a partially remaining stage building behind the orchestra. The effect of the stage building on the sound field was determined in terms of the temporal and spatial factors. Typically, the complicated stage building has affects on improving the values of Tsub and IACC.] http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png

Opera House Acoustics Based on Subjective Preference TheoryImprovements in Subjective Preferences for Listeners and Performers

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/lp/springer-journals/opera-house-acoustics-based-on-subjective-preference-theory-XYZNuffSOu
Publisher
Springer Japan
Copyright
© Springer Japan 2015
ISBN
978-4-431-55422-6
Pages
97 –118
DOI
10.1007/978-4-431-55423-3_9
Publisher site
See Chapter on Publisher Site

Abstract

[Acoustical measurements were conducted in two ancient theaters––one Greek and one Roman––the origin of modern opera houses. The Delphi theaterDelphi theater (Greece) does not have a stage building, while the Taormina theaterTaormina theater (Italy) has a partially remaining stage building behind the orchestra. The effect of the stage building on the sound field was determined in terms of the temporal and spatial factors. Typically, the complicated stage building has affects on improving the values of Tsub and IACC.]

Published: Feb 27, 2015

Keywords: Effects of stage building; Balance of a vocal on the stage and music in the pit; Singing style and cello performance blending with sound field

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