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Opera House Acoustics Based on Subjective Preference TheoryOptimizing Room-Forms

Opera House Acoustics Based on Subjective Preference Theory: Optimizing Room-Forms [The theory of subjective preferenceTheory of subjective preference in terms of the four orthogonal acoustical factors has been described in Sect. 6.3 (Ando 1985, 1998) allows us to evaluate at each seat of the sound field in an enclosure under design.] http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png

Opera House Acoustics Based on Subjective Preference TheoryOptimizing Room-Forms

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Publisher
Springer Japan
Copyright
© Springer Japan 2015
ISBN
978-4-431-55422-6
Pages
119 –132
DOI
10.1007/978-4-431-55423-3_10
Publisher site
See Chapter on Publisher Site

Abstract

[The theory of subjective preferenceTheory of subjective preference in terms of the four orthogonal acoustical factors has been described in Sect. 6.3 (Ando 1985, 1998) allows us to evaluate at each seat of the sound field in an enclosure under design.]

Published: Feb 27, 2015

Keywords: Optimal room shape; Effects of canopy; Acoustic design proposed for an opera house

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