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Opera House Acoustics Based on Subjective Preference TheoryTemporal and Spatial Primary Percepts of the Sound and the Sound Field

Opera House Acoustics Based on Subjective Preference Theory: Temporal and Spatial Primary... [We shall discuss temporal percepts consisting of four such that pitch, loudness, duration, and timbre in relation to the temporal factors of the sound. Three spatial percepts, i.e., localization including movement of sound source on the stage, apparent source width (ASW), and subjective diffuseness are well described in relation to the spatial factors of the sound field.] http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png

Opera House Acoustics Based on Subjective Preference TheoryTemporal and Spatial Primary Percepts of the Sound and the Sound Field

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/lp/springer-journals/opera-house-acoustics-based-on-subjective-preference-theory-temporal-262xbK1G6z
Publisher
Springer Japan
Copyright
© Springer Japan 2015
ISBN
978-4-431-55422-6
Pages
45 –61
DOI
10.1007/978-4-431-55423-3_5
Publisher site
See Chapter on Publisher Site

Abstract

[We shall discuss temporal percepts consisting of four such that pitch, loudness, duration, and timbre in relation to the temporal factors of the sound. Three spatial percepts, i.e., localization including movement of sound source on the stage, apparent source width (ASW), and subjective diffuseness are well described in relation to the spatial factors of the sound field.]

Published: Feb 27, 2015

Keywords: Temporal primary percepts; Spatial primary percepts

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