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Probabilistic Cellular AutomataProbabilistic Cellular Automata in the Visual Arts

Probabilistic Cellular Automata: Probabilistic Cellular Automata in the Visual Arts [In January 1970, computer scientist Leo Geurts walked into Swart Gallery in Amsterdam, The Netherlands, to see the solo exhibition by Dutch artist Peter Struycken (The Netherlands, 1939). He was struck by Struycken’s black and white works “Computerstructuren” (1969), which were painted after grid patterns generated by algorithms. Geurts assumed that they must have been produced using cellular automata. He started working with Lambert Meertens at Mathematisch Centrum (now CWI) in Amsterdam to make a similar work.] http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png

Probabilistic Cellular AutomataProbabilistic Cellular Automata in the Visual Arts

Part of the Emergence, Complexity and Computation Book Series (volume 27)
Editors: Louis, Pierre-Yves; Nardi, Francesca R.
Merks, Roeland M. H.
Probabilistic Cellular Automata — Feb 22, 2018
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Publisher
Springer International Publishing
Copyright
© Springer International Publishing AG 2018
ISBN
978-3-319-65556-7
Pages
31 –34
DOI
10.1007/978-3-319-65558-1_2
Publisher site
See Chapter on Publisher Site

Abstract

[In January 1970, computer scientist Leo Geurts walked into Swart Gallery in Amsterdam, The Netherlands, to see the solo exhibition by Dutch artist Peter Struycken (The Netherlands, 1939). He was struck by Struycken’s black and white works “Computerstructuren” (1969), which were painted after grid patterns generated by algorithms. Geurts assumed that they must have been produced using cellular automata. He started working with Lambert Meertens at Mathematisch Centrum (now CWI) in Amsterdam to make a similar work.]

Published: Feb 22, 2018

Keywords: Probabilistic Cellular Automata; Struycken; Lambert Meertens; Solo Exhibition; Mathematisch Centrum

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