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Proceedings of the Worldwide Music Conference 2021On the Concept of Interdisciplinarity in the Study of Music

Proceedings of the Worldwide Music Conference 2021: On the Concept of Interdisciplinarity in the... [In all western cultures from ancient Greece onwards, the theory of music was based on what each culture considered its main philosophical and scientific knowledge. This happened, for example, in the epoch of Boethius and, after more than a thousand years, in that of the Baroque Affektenlehre and subsequently in that of the Romantic Musikwissenschaft. The differences among such theories of music depended on the changed structures of music itself but basically on the general structures of thinking in each of such epochs. Therefore, according to Guido Adler in 1885, the “science of music” (Musikwissenschaft or Musicology) had to be considered not only a historical, but also a “systematic” knowledge, in which the study of non-European music or the analytical study of music as a language, or its social applications such as therapy, education, and criticism were included. During the 20th century musical events tended to be replaced by a diffusion based on means of mass communication such as the disk and radio, and technology radically transformed traditional music and the conception of music itself. Musicology became a multidisciplinary area with contributions from physics, anatomy, sociology and linguistics, and with biological extensions to animal hearing, and the origins of music considered both in phylogenetic and ontogenetic terms. In the present Conference many aspects of this complex aggregation of knowledge will be described and discussed.] http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png

Proceedings of the Worldwide Music Conference 2021On the Concept of Interdisciplinarity in the Study of Music

Part of the Current Research in Systematic Musicology Book Series (volume 8)
Editors: Khannanov, Ildar D.; Ruditsa, Roman
Baroni, Mario
Proceedings of the Worldwide Music Conference 2021 — Apr 13, 2021
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7 pages

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Publisher
Springer International Publishing
Copyright
© The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2021
ISBN
978-3-030-74038-2
Pages
3 –10
DOI
10.1007/978-3-030-74039-9_1
Publisher site
See Chapter on Publisher Site

Abstract

[In all western cultures from ancient Greece onwards, the theory of music was based on what each culture considered its main philosophical and scientific knowledge. This happened, for example, in the epoch of Boethius and, after more than a thousand years, in that of the Baroque Affektenlehre and subsequently in that of the Romantic Musikwissenschaft. The differences among such theories of music depended on the changed structures of music itself but basically on the general structures of thinking in each of such epochs. Therefore, according to Guido Adler in 1885, the “science of music” (Musikwissenschaft or Musicology) had to be considered not only a historical, but also a “systematic” knowledge, in which the study of non-European music or the analytical study of music as a language, or its social applications such as therapy, education, and criticism were included. During the 20th century musical events tended to be replaced by a diffusion based on means of mass communication such as the disk and radio, and technology radically transformed traditional music and the conception of music itself. Musicology became a multidisciplinary area with contributions from physics, anatomy, sociology and linguistics, and with biological extensions to animal hearing, and the origins of music considered both in phylogenetic and ontogenetic terms. In the present Conference many aspects of this complex aggregation of knowledge will be described and discussed.]

Published: Apr 13, 2021

Keywords: Music theory; Adler; Interdisciplinary musicology; Psychology of music; Biology of music; 20 th century music

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