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[This chapter presents a systematic review of so-called musical co-creation as the activity of the performer. The author intends to go beyond the established in the XX century paradigm that treats performer’s activity as “secondary” and listener’s as “tertiary” to that of a composer. In the cross-cultural communication space of musical art, musical co-creation manifests its specificity in all types of musical activities (composition, performance, education, art-management). Musical co-creation is studied as an artistic-dynamic system of musical art, which has the personality of the musician in its center. Reflection of a complex system of musical co-creation is implemented using the method of synergetic modeling. The model of the musical co-creation system is presented in communicative, cognitive and ontological projections. This “three-dimensional” angle allows us to use this model to analyze various phenomena of musical art from both retrospective and perspective standpoints.]
Published: Apr 13, 2021
Keywords: Musical co-creation; Artistic-dynamic system; Musician’s personality; The model of the musical co-creation system; Ontological projection; Communicative projection; Cognitive projection
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