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Psychoacoustic Music Sound Field SynthesisConventional Stereophonic Sound

Psychoacoustic Music Sound Field Synthesis: Conventional Stereophonic Sound [Conventional spatial audio systems allow audio engineers and music producers to control the signal of single loudspeakers. Many stereo recording and mixing techniques established. These create loudspeaker signals that evoke a desired spatial impression for the listener to some degree. Impressions may include the perceived location and spatial extent of a sound source, or the perceived reverberance and envelopment of the room. This chapter describes the principles of established stereophonic audio systems and evaluates to what extent they fulfill the requirements for a natural, spatial music listening experience. It can be seen that technological advances in audio systems are especially spatial ones. From monoMono over stereo, quadraphonic sound and Dolby surroundSurround sound, 5.1 surround to immersive audio and binaural systems the control over source locations and the degree of apparent source width and listener envelopment increase. As a logical consequence, new spatial audio systems should keep improving aspects of perceived spaciousness.] http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png

Psychoacoustic Music Sound Field SynthesisConventional Stereophonic Sound

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Publisher
Springer International Publishing
Copyright
© Springer Nature Switzerland AG 2020
ISBN
978-3-030-23032-6
Pages
171 –202
DOI
10.1007/978-3-030-23033-3_7
Publisher site
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Abstract

[Conventional spatial audio systems allow audio engineers and music producers to control the signal of single loudspeakers. Many stereo recording and mixing techniques established. These create loudspeaker signals that evoke a desired spatial impression for the listener to some degree. Impressions may include the perceived location and spatial extent of a sound source, or the perceived reverberance and envelopment of the room. This chapter describes the principles of established stereophonic audio systems and evaluates to what extent they fulfill the requirements for a natural, spatial music listening experience. It can be seen that technological advances in audio systems are especially spatial ones. From monoMono over stereo, quadraphonic sound and Dolby surroundSurround sound, 5.1 surround to immersive audio and binaural systems the control over source locations and the degree of apparent source width and listener envelopment increase. As a logical consequence, new spatial audio systems should keep improving aspects of perceived spaciousness.]

Published: Aug 7, 2019

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