Access the full text.
Sign up today, get DeepDyve free for 14 days.
[Music is spatial in many ways. Musical concepts and music perception are described by spatial terms in many cultures. This spatial thinking is reflected in music from spatial compositions to stereophonic recording and mixing techniques. Consequently, traditional music theories as well as modern music information retrieval approaches leverage spatial concepts and operations to gain a deeper understanding of music. This chapter reviews concepts of spaciousness in music psychology, provides the state of the art in spatial music composition and mixing in the recording studio, and gives an overview about spaciousness in music theory and music information retrieval. The prominence of spatial concepts in all these theoretic and practical disciplines underlines the significance of space in music. This deep relationship becomes obvious in terms of music as creative arts, an acoustical signal, and a psychological phenomenon.]
Published: Aug 7, 2019
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.