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The Business of Satirical Prints in Late-Georgian EnglandBeginnings

The Business of Satirical Prints in Late-Georgian England: Beginnings [This chapter introduces and outlines the thematic, methodological, and theoretical scope of this infrastructural history of the late-Georgian satirical print trade. It appraises the historiography of satirical printing in late-Georgian England. It justifies the use of Isaac Cruikshank’s satirical output as a point of focus for the volume. It argues that production, sale, and environment are crucial to understanding late-Georgian satirical prints and makes the case for a business-, profit-, and production-led approach to reading the role, function, and impact of satirical prints in late-Georgian society.] http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png

The Business of Satirical Prints in Late-Georgian EnglandBeginnings

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Publisher
Springer International Publishing
Copyright
© The Editor(s) (if applicable) and The Author(s) 2017
ISBN
978-3-319-49988-8
Pages
1 –19
DOI
10.1007/978-3-319-49989-5_1
Publisher site
See Chapter on Publisher Site

Abstract

[This chapter introduces and outlines the thematic, methodological, and theoretical scope of this infrastructural history of the late-Georgian satirical print trade. It appraises the historiography of satirical printing in late-Georgian England. It justifies the use of Isaac Cruikshank’s satirical output as a point of focus for the volume. It argues that production, sale, and environment are crucial to understanding late-Georgian satirical prints and makes the case for a business-, profit-, and production-led approach to reading the role, function, and impact of satirical prints in late-Georgian society.]

Published: Apr 12, 2017

Keywords: Cultural History; British Museum; Digital Humanity; Historical Phenomenon; Habeas Corpus

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