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After Aftershock: The Affect–Trauma Paradigm One Generation After 9/11

After Aftershock: The Affect–Trauma Paradigm One Generation After 9/11 Australian and New Zealand Journal of Art, 2020, vol. 20, no. 1, 125–140 https://doi.org/10.1080/14434318.2020.1764233 After Aftershock: The Affect–Trauma Paradigm One Generation After 9/11 Kit Messham-Muir* and Uros Cvoro* As we write this sentence, the United States is commemorating the eighteenth anniversary of the 9/11 attacks. A generation, some of whom are now adults, has been born since that event and has never experienced the pre-9/11 world. As emerging academic researchers back in 2001, we knew intuitively and immediately that this event would in some ways define our generation of thinkers. In this art- icle, we set some of the groundwork for our ongoing examination of contemporary art and visual culture surrounding war, terror, and political conflict one generation after 11 September 2001, reflecting upon one of the central impacts of 9/11 on our intellectual field of art theory—the accelerated development of theories around affect and trauma across humanities disciplines within the immediate post-9/11 ‘moment’ of 2001 to roughly 2008. In her 2007 edited volume The Affective Turn, Patricia Clough coins that term to encapsulate the emergence and consolidation of a wave of post-9/11 theory across a range of humanities disciplines, one that addresses extra-cognitive meaning operating primarily in psychological http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Australian and New Zealand Journal of Art Taylor & Francis

After Aftershock: The Affect–Trauma Paradigm One Generation After 9/11

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After Aftershock: The Affect–Trauma Paradigm One Generation After 9/11

Abstract

Australian and New Zealand Journal of Art, 2020, vol. 20, no. 1, 125–140 https://doi.org/10.1080/14434318.2020.1764233 After Aftershock: The Affect–Trauma Paradigm One Generation After 9/11 Kit Messham-Muir* and Uros Cvoro* As we write this sentence, the United States is commemorating the eighteenth anniversary of the 9/11 attacks. A generation, some of whom are now adults, has been born since that event and has never experienced the pre-9/11 world. As emerging academic...
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Publisher
Taylor & Francis
Copyright
© 2020 The Art Association of Australia and New Zealand, Inc
ISSN
2203-1871
eISSN
1443-4318
DOI
10.1080/14434318.2020.1764233
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Abstract

Australian and New Zealand Journal of Art, 2020, vol. 20, no. 1, 125–140 https://doi.org/10.1080/14434318.2020.1764233 After Aftershock: The Affect–Trauma Paradigm One Generation After 9/11 Kit Messham-Muir* and Uros Cvoro* As we write this sentence, the United States is commemorating the eighteenth anniversary of the 9/11 attacks. A generation, some of whom are now adults, has been born since that event and has never experienced the pre-9/11 world. As emerging academic researchers back in 2001, we knew intuitively and immediately that this event would in some ways define our generation of thinkers. In this art- icle, we set some of the groundwork for our ongoing examination of contemporary art and visual culture surrounding war, terror, and political conflict one generation after 11 September 2001, reflecting upon one of the central impacts of 9/11 on our intellectual field of art theory—the accelerated development of theories around affect and trauma across humanities disciplines within the immediate post-9/11 ‘moment’ of 2001 to roughly 2008. In her 2007 edited volume The Affective Turn, Patricia Clough coins that term to encapsulate the emergence and consolidation of a wave of post-9/11 theory across a range of humanities disciplines, one that addresses extra-cognitive meaning operating primarily in psychological

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Australian and New Zealand Journal of Art – Taylor & Francis

Published: Jan 2, 2020

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