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After Boomalli: Art, Activism, and Feminism - Fiona Foley in Dialogue with Paola Balla

After Boomalli: Art, Activism, and Feminism - Fiona Foley in Dialogue with Paola Balla Australian and New Zealand Journal of Art, 2022, vol. 22, no. 2, 151–159 https://doi.org/10.1080/14434318.2022.2151552 After Boomalli: Art, Activism, and Feminism - Fiona Foley in Dialogue with Paola Balla a* b Fiona Foley and Paola Balla a b Queensland College of Art, Griffith University; Moondani Balluk Indigenous Academic Unit, Victoria University Paola Balla (PB): Fiona, in 2019 Marina Tyquiengco wrote the essay ‘Black Velvet: Aboriginal Womanhood in the Art of Fiona Foley’, for the Indigenous Feminisms in Settler Contexts issue of the journal Feminist Studies. The essay focused on your con- tributions to the Global Feminisms exhibition at the Brooklyn Museum in 2007, cura- ted by Maura Reilly and Linda Nochlin. In the essay, Marina stated that prior to the exhibition that you, Fiona, did not know how to spell the word ‘feminism’ and that your position as a woman came second to your position as an Australian Aboriginal. Marina goes on to talk about your contributions to the exhibition, which, while including images of women, reflected on racism against all Aboriginal peoples, as opposed to issues that are particular to Aboriginal women, such as the dramatically high rates of abuse and violence that Aboriginal people suffer. Marina writes: In http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Australian and New Zealand Journal of Art Taylor & Francis

After Boomalli: Art, Activism, and Feminism - Fiona Foley in Dialogue with Paola Balla

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After Boomalli: Art, Activism, and Feminism - Fiona Foley in Dialogue with Paola Balla

Abstract

Australian and New Zealand Journal of Art, 2022, vol. 22, no. 2, 151–159 https://doi.org/10.1080/14434318.2022.2151552 After Boomalli: Art, Activism, and Feminism - Fiona Foley in Dialogue with Paola Balla a* b Fiona Foley and Paola Balla a b Queensland College of Art, Griffith University; Moondani Balluk Indigenous Academic Unit, Victoria University Paola Balla (PB): Fiona, in 2019 Marina Tyquiengco wrote the essay ‘Black Velvet: Aboriginal Womanhood in the Art of Fiona...
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Publisher
Taylor & Francis
Copyright
© 2022 The Art Association of Australia and New Zealand, Inc
ISSN
2203-1871
eISSN
1443-4318
DOI
10.1080/14434318.2022.2151552
Publisher site
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Abstract

Australian and New Zealand Journal of Art, 2022, vol. 22, no. 2, 151–159 https://doi.org/10.1080/14434318.2022.2151552 After Boomalli: Art, Activism, and Feminism - Fiona Foley in Dialogue with Paola Balla a* b Fiona Foley and Paola Balla a b Queensland College of Art, Griffith University; Moondani Balluk Indigenous Academic Unit, Victoria University Paola Balla (PB): Fiona, in 2019 Marina Tyquiengco wrote the essay ‘Black Velvet: Aboriginal Womanhood in the Art of Fiona Foley’, for the Indigenous Feminisms in Settler Contexts issue of the journal Feminist Studies. The essay focused on your con- tributions to the Global Feminisms exhibition at the Brooklyn Museum in 2007, cura- ted by Maura Reilly and Linda Nochlin. In the essay, Marina stated that prior to the exhibition that you, Fiona, did not know how to spell the word ‘feminism’ and that your position as a woman came second to your position as an Australian Aboriginal. Marina goes on to talk about your contributions to the exhibition, which, while including images of women, reflected on racism against all Aboriginal peoples, as opposed to issues that are particular to Aboriginal women, such as the dramatically high rates of abuse and violence that Aboriginal people suffer. Marina writes: In

Journal

Australian and New Zealand Journal of Art – Taylor & Francis

Published: Jul 3, 2022

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