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An Unhomely Feeling

An Unhomely Feeling Australian and New Zealand Journal of Art, 2022, vol. 22, no. 2, 147–150 https://doi.org/10.1080/14434318.2022.2143754 Veronica Tello UNSW Art & Design, University of New South Wales, Sydney, Australia Institutions also have tables around which bodies gather. Some more than others are at home in these gatherings. Sara Ahmed, Living a Feminist Life, 2017, p99 The idea, or timing, for this issue had something to do with the National Gallery of Australia’s (NGA) Know My Name initiative (KMN). For the uninitiated, KMN seeks to redress the NGA’s decades long gender inequity across the museum’s operations and structures, including staffing, exhibitions and collecting practices and policies. As part of KMN, the NGA organised a conference towards the end of 2020 which some of the contributors and editors of this issue — Diana Baker Smith, Paola Balla, Janine Burke, Alex Martinis Roe, Vikki McInnes, Bhenji Ra, and I participated. Following the conference, McInnes, Baker Smith and I, alongside Fiona Foley and Ngarino Ellis, began conversations around continuing the work of critiquing the gendered discrimination at the centre of art institutions in Australia and New Zealand/Aotearoa. Beyond those aforementioned, we invited Helen Hughes, Soo-Min Shim, June Miskell and Cameron Hurst to contribute to this http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Australian and New Zealand Journal of Art Taylor & Francis

An Unhomely Feeling

Tello, Verónica
Australian and New Zealand Journal of Art , Volume 22 (2): 4 – Jul 3, 2022
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An Unhomely Feeling

Abstract

Australian and New Zealand Journal of Art, 2022, vol. 22, no. 2, 147–150 https://doi.org/10.1080/14434318.2022.2143754 Veronica Tello UNSW Art & Design, University of New South Wales, Sydney, Australia Institutions also have tables around which bodies gather. Some more than others are at home in these gatherings. Sara Ahmed, Living a Feminist Life, 2017, p99 The idea, or timing, for this issue had something to do with the National Gallery of Australia’s (NGA) Know My Name...
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Publisher
Taylor & Francis
Copyright
© 2022 The Art Association of Australia and New Zealand, Inc
ISSN
2203-1871
eISSN
1443-4318
DOI
10.1080/14434318.2022.2143754
Publisher site
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Abstract

Australian and New Zealand Journal of Art, 2022, vol. 22, no. 2, 147–150 https://doi.org/10.1080/14434318.2022.2143754 Veronica Tello UNSW Art & Design, University of New South Wales, Sydney, Australia Institutions also have tables around which bodies gather. Some more than others are at home in these gatherings. Sara Ahmed, Living a Feminist Life, 2017, p99 The idea, or timing, for this issue had something to do with the National Gallery of Australia’s (NGA) Know My Name initiative (KMN). For the uninitiated, KMN seeks to redress the NGA’s decades long gender inequity across the museum’s operations and structures, including staffing, exhibitions and collecting practices and policies. As part of KMN, the NGA organised a conference towards the end of 2020 which some of the contributors and editors of this issue — Diana Baker Smith, Paola Balla, Janine Burke, Alex Martinis Roe, Vikki McInnes, Bhenji Ra, and I participated. Following the conference, McInnes, Baker Smith and I, alongside Fiona Foley and Ngarino Ellis, began conversations around continuing the work of critiquing the gendered discrimination at the centre of art institutions in Australia and New Zealand/Aotearoa. Beyond those aforementioned, we invited Helen Hughes, Soo-Min Shim, June Miskell and Cameron Hurst to contribute to this

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Australian and New Zealand Journal of Art – Taylor & Francis

Published: Jul 3, 2022

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