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Landscape and Identity in Earl)' Modern Rome: Villa Culture It is into ehis world that Dr Ehrlich takes her readers, conventional art historical tcrritory (notably, themes of at Frascati in the Borghese Era arguing that Greueer \;aptures only a very general sense iconography and patronage) issues of dynastic scholar Tracy L. Ehrlich of the hilly ten-ain'. Her book is nothing if not a heavy ship, material culture, land ownership and management, Cambridge University Press in association with the weight and particularised enterprise, as befits a book thae reception studies, issues of public/private, ceremonial Ametican Academy in Rome, Cambridge, 2002 has grown from a distinguished dissertation. It is c1early studies (lieux du theatre) and the history of collections. written, ehough wieh ehe very even, unmodulated tone Ehrlich situates her own work self-consciously among pp: 422. 5 maps, 153 figures, 12 colour plates. and tenor carried over from such an acadernic enterprise, scholars who have moved 'beyond the notion of ISBN 0 521 59257 7 and with a certain amount of repetitions that probably figured fountains and sculptures carrying unified derive from a need to keep a finn eye on the topic in allegorical themes' and she acknowledges primarily The first
Studies in the History of Gardens & Designed Landscapes – Taylor & Francis
Published: Jul 1, 2005
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