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Deciphering the reclusive landscape: a study of Wen Zheng-Ming's 1533 album of the Garden of the Unsuccessful Politician

Deciphering the reclusive landscape: a study of Wen Zheng-Ming's 1533 album of the Garden of... Deciphering the reclusive landscape: a study of Wen Zheng-Ming’s 1533 album of the Garden of the Unsuccessful Politician andong lu Introduction The sixteenth century was a period of transition in both art and garden making and 1513, Wen continually produced poems and paintings of the garden over a in China. The productive landscape of agriculture characterizing the early and span of four decades, with only the exception of the period 1523–27 when he was mid Ming gardens was gradually substituted by the aesthetic landscape of away from Suzhou. He was also involved in the daily life of the garden, e.g. he was consumption of the late Ming period. The corrupt reign of Jiajing granted the use of a studio in the garden where his friends and students could (1522–1566) saw the great expansion of garden culture, epitomized by the congregate and was, at one time, acting as sponsor at the ‘capping’ (coming-of-age) increasing number of works of literature and art celebrating newly made ceremony for Wang’s son. Despite the abundant materials of Wen’s involvement gardens. Wen Zheng-Ming (1470–1559) was a leading painter, calligrapher with the garden, his exact role in the garden making is still uncertain. This is partly http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Studies in the History of Gardens & Designed Landscapes Taylor & Francis

Deciphering the reclusive landscape: a study of Wen Zheng-Ming's 1533 album of the Garden of the Unsuccessful Politician

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Publisher
Taylor & Francis
Copyright
Copyright Taylor & Francis Group, LLC
ISSN
1943-2186
eISSN
1460-1176
DOI
10.1080/14601176.2010.520459
Publisher site
See Article on Publisher Site

Abstract

Deciphering the reclusive landscape: a study of Wen Zheng-Ming’s 1533 album of the Garden of the Unsuccessful Politician andong lu Introduction The sixteenth century was a period of transition in both art and garden making and 1513, Wen continually produced poems and paintings of the garden over a in China. The productive landscape of agriculture characterizing the early and span of four decades, with only the exception of the period 1523–27 when he was mid Ming gardens was gradually substituted by the aesthetic landscape of away from Suzhou. He was also involved in the daily life of the garden, e.g. he was consumption of the late Ming period. The corrupt reign of Jiajing granted the use of a studio in the garden where his friends and students could (1522–1566) saw the great expansion of garden culture, epitomized by the congregate and was, at one time, acting as sponsor at the ‘capping’ (coming-of-age) increasing number of works of literature and art celebrating newly made ceremony for Wang’s son. Despite the abundant materials of Wen’s involvement gardens. Wen Zheng-Ming (1470–1559) was a leading painter, calligrapher with the garden, his exact role in the garden making is still uncertain. This is partly

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Studies in the History of Gardens & Designed Landscapes – Taylor & Francis

Published: Mar 25, 2011

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