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Editorial

Editorial landscapes, Vol. 14 No. 1, June, 2013, 1–2 Welcome to a new – and unusual – Landscapes. New, because as we explained in volume 13, it is the first produced by Maney under licence from Oxbow- Windgather, and whilst its outer covers retain their customary elegance and style, within all is new stylistically, partly to reflect Maney’s recent traditions, but mainly to draw us deeper into the world of on-line publishing and reading, with its penchant for simple fonts. Maney also will draw us deeper into the world of academic libraries, which seem universally to be setting aside real books in favour of e-access, but as a result we hope that Landscapes will gain in the next year or two a much wider readership, overseas in particular. We strongly hope, however, that our loyal subscribers continue to value the artefact of the real journal, and its place on their bookshelves. Unusual, because it is a themed issue; the last such, on historic landscape characterisation, was as long ago as 2007. To produce it we are joined by four guest editors, for all of whose hard work and enthusiasm we are grateful; at the risk of being invidious, we might http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Landscapes Taylor & Francis

Editorial

Landscapes , Volume 14 (1): 1 – Jun 1, 2013

Editorial

Landscapes , Volume 14 (1): 1 – Jun 1, 2013

Abstract

landscapes, Vol. 14 No. 1, June, 2013, 1–2 Welcome to a new – and unusual – Landscapes. New, because as we explained in volume 13, it is the first produced by Maney under licence from Oxbow- Windgather, and whilst its outer covers retain their customary elegance and style, within all is new stylistically, partly to reflect Maney’s recent traditions, but mainly to draw us deeper into the world of on-line publishing and reading, with its penchant for simple fonts. Maney also will draw us deeper into the world of academic libraries, which seem universally to be setting aside real books in favour of e-access, but as a result we hope that Landscapes will gain in the next year or two a much wider readership, overseas in particular. We strongly hope, however, that our loyal subscribers continue to value the artefact of the real journal, and its place on their bookshelves. Unusual, because it is a themed issue; the last such, on historic landscape characterisation, was as long ago as 2007. To produce it we are joined by four guest editors, for all of whose hard work and enthusiasm we are grateful; at the risk of being invidious, we might

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Publisher
Taylor & Francis
Copyright
© Oxbow Books Ltd 2013
ISSN
2040-8153
eISSN
1466-2035
DOI
10.1179/1466203513Z.0000000008
Publisher site
See Article on Publisher Site

Abstract

landscapes, Vol. 14 No. 1, June, 2013, 1–2 Welcome to a new – and unusual – Landscapes. New, because as we explained in volume 13, it is the first produced by Maney under licence from Oxbow- Windgather, and whilst its outer covers retain their customary elegance and style, within all is new stylistically, partly to reflect Maney’s recent traditions, but mainly to draw us deeper into the world of on-line publishing and reading, with its penchant for simple fonts. Maney also will draw us deeper into the world of academic libraries, which seem universally to be setting aside real books in favour of e-access, but as a result we hope that Landscapes will gain in the next year or two a much wider readership, overseas in particular. We strongly hope, however, that our loyal subscribers continue to value the artefact of the real journal, and its place on their bookshelves. Unusual, because it is a themed issue; the last such, on historic landscape characterisation, was as long ago as 2007. To produce it we are joined by four guest editors, for all of whose hard work and enthusiasm we are grateful; at the risk of being invidious, we might

Journal

LandscapesTaylor & Francis

Published: Jun 1, 2013

There are no references for this article.