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Neohispanism: A program for tongue dispossession

Neohispanism: A program for tongue dispossession No consegui la aventura acechada, pero el ardor de la busqueda me consumio.l I literary studies in the present artially as a result of the commotion Pcaused by the theoretical turn in literary studies, partially as a result of the long-rang- ing geopolitical and social changes forced by the collapse of the Soviet bloc and the end of alberto moreiras the Cold War, the literary field in general, at the very least insofar as that designation refers to an academic practice, is today undergoing a thorough self-revision and NEOHISPANIS M transvaluation.2 It is not just the traditional forms of doing literary-critical work that a program for have been thrown out of the window - although they have, and in a bad way. It is tongue dispossession the disciplinary object itself which is under constant threat of disappearance. As the lit- erary historical canon has been demolished emptiness. Not an uninteresting task in in the catastrophe suffered by high mod- itself, but one that hits Hispanism perhaps ernist writing in post-Cold War times, and as even more strongly than it does other liter- the very idea of an aesthetics is, as a result, ary subdisciplines, for a number of reasons. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Angelaki: Journal of Theoretical Humanities Taylor & Francis

Neohispanism: A program for tongue dispossession

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Neohispanism: A program for tongue dispossession

Abstract

No consegui la aventura acechada, pero el ardor de la busqueda me consumio.l I literary studies in the present artially as a result of the commotion Pcaused by the theoretical turn in literary studies, partially as a result of the long-rang- ing geopolitical and social changes forced by the collapse of the Soviet bloc and the end of alberto moreiras the Cold War, the literary field in general, at the very least insofar as that designation refers to an academic practice, is today undergoing a...
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Publisher
Taylor & Francis
Copyright
Copyright Taylor & Francis Group, LLC
ISSN
1469-2899
eISSN
0969-725X
DOI
10.1080/09697259708571943
Publisher site
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Abstract

No consegui la aventura acechada, pero el ardor de la busqueda me consumio.l I literary studies in the present artially as a result of the commotion Pcaused by the theoretical turn in literary studies, partially as a result of the long-rang- ing geopolitical and social changes forced by the collapse of the Soviet bloc and the end of alberto moreiras the Cold War, the literary field in general, at the very least insofar as that designation refers to an academic practice, is today undergoing a thorough self-revision and NEOHISPANIS M transvaluation.2 It is not just the traditional forms of doing literary-critical work that a program for have been thrown out of the window - although they have, and in a bad way. It is tongue dispossession the disciplinary object itself which is under constant threat of disappearance. As the lit- erary historical canon has been demolished emptiness. Not an uninteresting task in in the catastrophe suffered by high mod- itself, but one that hits Hispanism perhaps ernist writing in post-Cold War times, and as even more strongly than it does other liter- the very idea of an aesthetics is, as a result, ary subdisciplines, for a number of reasons.

Journal

Angelaki: Journal of Theoretical Humanities – Taylor & Francis

Published: Jan 1, 1997

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