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Ostrich Eggs and Peacock Feathers: Sacred Objects as Cultural Exchange between Christianity and Islam1

Ostrich Eggs and Peacock Feathers: Sacred Objects as Cultural Exchange between Christianity and... This article uses the wide dispersal of ostrich eggs and peacock feathers among the different cultural contexts of the Mediterranean – and beyond into the Indian Ocean world – to explore the nature and limits of cultural inheritance and exchange between Christianity and Islam. These avian materials previously possessed symbolic meaning and material value as early as the pre-dynastic period in Egypt, as well as amid the early cultures of Mesopotamia and Crete. The main early cultural associations of the eggs and feathers were with death/resurrection and kingship respectively, a symbolism that was passed on into early Christian and Muslim usage. Mercantile, religious and political links across the premodern Mediterranean meant that these items found parallel employment all around the Mediterranean littoral, and beyond it, in Arabia, South Asia and Africa. As an essay in the uses of material culture in mapping cultural exchange and charting the eclectic qualities of popular religiosity, the article provides a wide-ranging survey of the presence of these objects, from their visual appearance in Renaissance paintings to their hanging in the shrines of Indo-Muslim saints. A final section draws conclusions on the relationship between shared objects, cultural boundaries and the writing of history. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Al-Masaq: Journal of the Medieval Mediterranean Taylor & Francis

Ostrich Eggs and Peacock Feathers: Sacred Objects as Cultural Exchange between Christianity and Islam1

Green, Nile
Al-Masaq: Journal of the Medieval Mediterranean , Volume 18 (1): 52 – Mar 1, 2006
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Ostrich Eggs and Peacock Feathers: Sacred Objects as Cultural Exchange between Christianity and Islam1

Abstract

This article uses the wide dispersal of ostrich eggs and peacock feathers among the different cultural contexts of the Mediterranean – and beyond into the Indian Ocean world – to explore the nature and limits of cultural inheritance and exchange between Christianity and Islam. These avian materials previously possessed symbolic meaning and material value as early as the pre-dynastic period in Egypt, as well as amid the early cultures of Mesopotamia and Crete. The main early...
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Publisher
Taylor & Francis
Copyright
Copyright Taylor & Francis Group, LLC
ISSN
1473-348X
eISSN
0950-3110
DOI
10.1080/09503110500222328
Publisher site
See Article on Publisher Site

Abstract

This article uses the wide dispersal of ostrich eggs and peacock feathers among the different cultural contexts of the Mediterranean – and beyond into the Indian Ocean world – to explore the nature and limits of cultural inheritance and exchange between Christianity and Islam. These avian materials previously possessed symbolic meaning and material value as early as the pre-dynastic period in Egypt, as well as amid the early cultures of Mesopotamia and Crete. The main early cultural associations of the eggs and feathers were with death/resurrection and kingship respectively, a symbolism that was passed on into early Christian and Muslim usage. Mercantile, religious and political links across the premodern Mediterranean meant that these items found parallel employment all around the Mediterranean littoral, and beyond it, in Arabia, South Asia and Africa. As an essay in the uses of material culture in mapping cultural exchange and charting the eclectic qualities of popular religiosity, the article provides a wide-ranging survey of the presence of these objects, from their visual appearance in Renaissance paintings to their hanging in the shrines of Indo-Muslim saints. A final section draws conclusions on the relationship between shared objects, cultural boundaries and the writing of history.

Journal

Al-Masaq: Journal of the Medieval Mediterranean – Taylor & Francis

Published: Mar 1, 2006

Keywords: Birds–ostriches; Birds–peacocks; Sacred objects; Trade; Material culture

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