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REFLECTIONS ON THE ORIGIN: Transculturation and tragedy in pedro páramo

REFLECTIONS ON THE ORIGIN: Transculturation and tragedy in pedro páramo A N G E L A K I j o u r n a l o f th e th e o r e t ic a l h u m a n i ti e s v o lu m e 6 n u m b e r 1 ap r il 2 00 1 Une mimesis ouvre la fiction du ton. CÕest la trag die du ÒViensÓ qui doit tre r p table (a priori r p t en lui-m me) pour r sonner. Rien ne garantit la bonne intonation, celle-ci reste ˆ la disposition et sous la responsabilit de lÕautre. [A mimesis opens the fiction of tone. It is the tragedy of ÒComeÓ that it must be repeatable (a priori repeated in itself) in order to resonate. Nothing guarantees good intona- tion, which remains at the disposal and as the responsibility of the other.] Jacques Derrida, Les Fins de lÕhomme, eds. Lacoue-Labarthe and Nancy 480 patrick dove lthough his oeuvre consists by and large of Aonly two published works Ð a collection of REFLE CTIONS ON THE short stories (El llano en llamas [The Burning Plain], 1953) and a novella (Pedro P‡ramo, ORIGIN 1955) Ð http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Angelaki: Journal of Theoretical Humanities Taylor & Francis

REFLECTIONS ON THE ORIGIN: Transculturation and tragedy in pedro páramo

Dove, Patrick
Angelaki: Journal of Theoretical Humanities , Volume 6 (1): 20 – Apr 1, 2001
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REFLECTIONS ON THE ORIGIN: Transculturation and tragedy in pedro páramo

Abstract

A N G E L A K I j o u r n a l o f th e th e o r e t ic a l h u m a n i ti e s v o lu m e 6 n u m b e r 1 ap r il 2 00 1 Une mimesis ouvre la fiction du ton. CÕest la trag die du ÒViensÓ qui doit tre r p table (a priori r p t en lui-m me) pour r sonner. Rien ne garantit la bonne intonation, celle-ci reste ˆ la disposition et sous la responsabilit de lÕautre. [A mimesis opens the fiction of tone. It is the tragedy of ÒComeÓ that it must...
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Publisher
Taylor & Francis
Copyright
Copyright Taylor & Francis Group, LLC
ISSN
1469-2899
eISSN
0969-725X
DOI
10.1080/713650369
Publisher site
See Article on Publisher Site

Abstract

A N G E L A K I j o u r n a l o f th e th e o r e t ic a l h u m a n i ti e s v o lu m e 6 n u m b e r 1 ap r il 2 00 1 Une mimesis ouvre la fiction du ton. CÕest la trag die du ÒViensÓ qui doit tre r p table (a priori r p t en lui-m me) pour r sonner. Rien ne garantit la bonne intonation, celle-ci reste ˆ la disposition et sous la responsabilit de lÕautre. [A mimesis opens the fiction of tone. It is the tragedy of ÒComeÓ that it must be repeatable (a priori repeated in itself) in order to resonate. Nothing guarantees good intona- tion, which remains at the disposal and as the responsibility of the other.] Jacques Derrida, Les Fins de lÕhomme, eds. Lacoue-Labarthe and Nancy 480 patrick dove lthough his oeuvre consists by and large of Aonly two published works Ð a collection of REFLE CTIONS ON THE short stories (El llano en llamas [The Burning Plain], 1953) and a novella (Pedro P‡ramo, ORIGIN 1955) Ð

Journal

Angelaki: Journal of Theoretical Humanities – Taylor & Francis

Published: Apr 1, 2001

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