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Reflections on the Painting of Alejandro Puente, the Notion of Pathosformel, and the Return to Life of Mortally Wounded Civilizations

Reflections on the Painting of Alejandro Puente, the Notion of Pathosformel, and the Return to... AbstractThe Argentine author José Burucúa is a key figure in the introduction and dissemination of Aby Warburg's theories to scholarship in Latin America. In this article he tests Warburg's concept of Pathosformel to discuss the development of visual culture in Andean pre-Hispanic art and contemporary painting in Argentina. It is argued that the abstract world created by prominent painters, such as Libero Badii, César Paternosto, and Alejandro Puente, deepened their roots in pre-Hispanic culture. Burucúa's theoretical approach to the arts in Argentina has been highly influential on visual culture studies in Latin America. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Art in Translation Taylor & Francis

Reflections on the Painting of Alejandro Puente, the Notion of Pathosformel, and the Return to Life of Mortally Wounded Civilizations

Art in Translation , Volume 1 (1): 27 – Mar 1, 2009

Reflections on the Painting of Alejandro Puente, the Notion of Pathosformel, and the Return to Life of Mortally Wounded Civilizations

Abstract

AbstractThe Argentine author José Burucúa is a key figure in the introduction and dissemination of Aby Warburg's theories to scholarship in Latin America. In this article he tests Warburg's concept of Pathosformel to discuss the development of visual culture in Andean pre-Hispanic art and contemporary painting in Argentina. It is argued that the abstract world created by prominent painters, such as Libero Badii, César Paternosto, and Alejandro Puente, deepened...
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Publisher
Taylor & Francis
Copyright
© 2009 Taylor and Francis Group, LLC
ISSN
1756-1310
DOI
10.2752/175613109787307681
Publisher site
See Article on Publisher Site

Abstract

AbstractThe Argentine author José Burucúa is a key figure in the introduction and dissemination of Aby Warburg's theories to scholarship in Latin America. In this article he tests Warburg's concept of Pathosformel to discuss the development of visual culture in Andean pre-Hispanic art and contemporary painting in Argentina. It is argued that the abstract world created by prominent painters, such as Libero Badii, César Paternosto, and Alejandro Puente, deepened their roots in pre-Hispanic culture. Burucúa's theoretical approach to the arts in Argentina has been highly influential on visual culture studies in Latin America.

Journal

Art in TranslationTaylor & Francis

Published: Mar 1, 2009

Keywords: Argentina; pre-Hispanic art; avant-garde art; associationism; memory; Aby Warburg; Alejandro Puente

References