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Textile Connections? Two Ifrīqiyan Church Treasuries in Norman Sicily and the Problem of Continuity across Political Change

Textile Connections? Two Ifrīqiyan Church Treasuries in Norman Sicily and the Problem of... Recent research has stressed the particular importance of silks as the portable agents of a common aesthetic of Mediterranean elites. A number of similarities can be detected between the silk fabrics listed in the twelfth-century inventories of two Ifrīqiyan churches, and textiles from medieval Sicily. Should they be ascribed to a pan-Mediterranean fashion, or is it possible to make a more specific case for textile connections between Sicily and Ifrīqiya and – possibly – for a continuity between pre-Norman and Norman, Islamic and Christian rules? This article will discuss evidence for a medium-specific continuity in silk production and weaving, and will explore, with reference to Roger II's mantle, whether such continuities can be explained purely by practical arguments, or whether a visual display of continuity in royal representation may not also have reflected political intentions. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Al-Masaq: Journal of the Medieval Mediterranean Taylor & Francis

Textile Connections? Two Ifrīqiyan Church Treasuries in Norman Sicily and the Problem of Continuity across Political Change

21 pages

Textile Connections? Two Ifrīqiyan Church Treasuries in Norman Sicily and the Problem of Continuity across Political Change

Abstract

Recent research has stressed the particular importance of silks as the portable agents of a common aesthetic of Mediterranean elites. A number of similarities can be detected between the silk fabrics listed in the twelfth-century inventories of two Ifrīqiyan churches, and textiles from medieval Sicily. Should they be ascribed to a pan-Mediterranean fashion, or is it possible to make a more specific case for textile connections between Sicily and Ifrīqiya and – possibly...
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Publisher
Taylor & Francis
Copyright
Copyright Society for the Medieval Mediterranean
ISSN
1473-348X
eISSN
0950-3110
DOI
10.1080/09503110.2013.767009
Publisher site
See Article on Publisher Site

Abstract

Recent research has stressed the particular importance of silks as the portable agents of a common aesthetic of Mediterranean elites. A number of similarities can be detected between the silk fabrics listed in the twelfth-century inventories of two Ifrīqiyan churches, and textiles from medieval Sicily. Should they be ascribed to a pan-Mediterranean fashion, or is it possible to make a more specific case for textile connections between Sicily and Ifrīqiya and – possibly – for a continuity between pre-Norman and Norman, Islamic and Christian rules? This article will discuss evidence for a medium-specific continuity in silk production and weaving, and will explore, with reference to Roger II's mantle, whether such continuities can be explained purely by practical arguments, or whether a visual display of continuity in royal representation may not also have reflected political intentions.

Journal

Al-Masaq: Journal of the Medieval MediterraneanTaylor & Francis

Published: Apr 1, 2013

Keywords: Art – decorative arts; Silk; Sicily (kingdom) – art; Textiles; Roger II, king of Sicily; Africa – industry; Inventories; Kingship – insignia

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