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The Origins of the Social Usage of Photography

The Origins of the Social Usage of Photography AbstractThe article focuses on the dissemination of photography as a new social practice. The origins of the social use of photography can be found in the late nineteenth century when photography was imposed as an artistic medium by the pictorialist movement. Distancing themselves from the artistic canon of pictorialism, the clubs of amateur photographers generated a broad visual culture and set the standards for a new documentary practice of photography. This was especially the case in Wilhelmine Germany. By collaborating with societies of ethnology and folklore, the amateur clubs contributed to the visual turn of the social sciences in Germany, and forged a visual identity of Heimatkunst. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Art in Translation Taylor & Francis

The Origins of the Social Usage of Photography

Art in Translation , Volume 4 (3): 25 – Sep 1, 2012

The Origins of the Social Usage of Photography

Abstract

AbstractThe article focuses on the dissemination of photography as a new social practice. The origins of the social use of photography can be found in the late nineteenth century when photography was imposed as an artistic medium by the pictorialist movement. Distancing themselves from the artistic canon of pictorialism, the clubs of amateur photographers generated a broad visual culture and set the standards for a new documentary practice of photography. This was especially the case in...
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Publisher
Taylor & Francis
Copyright
© 2012 Taylor and Francis Group, LLC
ISSN
1756-1310
DOI
10.2752/175613112X13376070683351
Publisher site
See Article on Publisher Site

Abstract

AbstractThe article focuses on the dissemination of photography as a new social practice. The origins of the social use of photography can be found in the late nineteenth century when photography was imposed as an artistic medium by the pictorialist movement. Distancing themselves from the artistic canon of pictorialism, the clubs of amateur photographers generated a broad visual culture and set the standards for a new documentary practice of photography. This was especially the case in Wilhelmine Germany. By collaborating with societies of ethnology and folklore, the amateur clubs contributed to the visual turn of the social sciences in Germany, and forged a visual identity of Heimatkunst.

Journal

Art in TranslationTaylor & Francis

Published: Sep 1, 2012

Keywords: German photography; ethnography; ethnology; Volkskunde; amateur photography; photography clubs; social uses of photography; art and photography; German national identity; pictorialism; photography exhibitions in Germany

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