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The Re-creation of Medieval Arabo-Andalusian Music in Modern Performance

The Re-creation of Medieval Arabo-Andalusian Music in Modern Performance In recent decades more and more musical ensembles have begun performing “historicised” versions of medieval Arabo-Andalusian music. The impulse to produce such re-creations of medieval musical practices has come almost entirely from Western musicians and scholars influenced by the aesthetics of the European Early Music movement, rather than from Arab musicians. The historical resources available as the basis of such performances, however, are very different from those used in the re-creation of European Early Music. This article surveys the extant historical resources, offers a brief history of this new “medieval” style of performance of Arabo-Andalusian music, and provides descriptions and critiques of selected recordings. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Al-Masaq: Journal of the Medieval Mediterranean Taylor & Francis

The Re-creation of Medieval Arabo-Andalusian Music in Modern Performance

15 pages

The Re-creation of Medieval Arabo-Andalusian Music in Modern Performance

Abstract

In recent decades more and more musical ensembles have begun performing “historicised” versions of medieval Arabo-Andalusian music. The impulse to produce such re-creations of medieval musical practices has come almost entirely from Western musicians and scholars influenced by the aesthetics of the European Early Music movement, rather than from Arab musicians. The historical resources available as the basis of such performances, however, are very different from those used in the...
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Publisher
Taylor & Francis
Copyright
Copyright Taylor & Francis Group, LLC
ISSN
1473-348X
eISSN
0950-3110
DOI
10.1080/09503110902875442
Publisher site
See Article on Publisher Site

Abstract

In recent decades more and more musical ensembles have begun performing “historicised” versions of medieval Arabo-Andalusian music. The impulse to produce such re-creations of medieval musical practices has come almost entirely from Western musicians and scholars influenced by the aesthetics of the European Early Music movement, rather than from Arab musicians. The historical resources available as the basis of such performances, however, are very different from those used in the re-creation of European Early Music. This article surveys the extant historical resources, offers a brief history of this new “medieval” style of performance of Arabo-Andalusian music, and provides descriptions and critiques of selected recordings.

Journal

Al-Masaq: Journal of the Medieval MediterraneanTaylor & Francis

Published: Aug 1, 2009

Keywords: Andalusian Music; Early Music; Muslim Spain; al-Andalus

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